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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Features - Reality Club: Playing Singapore, nearly dying in a moshpit, and their upcoming “flex album” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Features - Reality Club: Playing Singapore, nearly dying in a moshpit, and their upcoming “flex album” - Make it stand out</image:title>
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      <image:title>Features - Reality Club: Playing Singapore, nearly dying in a moshpit, and their upcoming “flex album” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Credit: Press</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/features/Mervin-wong-planeswalker-resonance-in-the-air</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-19</lastmod>
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      <image:caption>Credit: Press</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/features/houg-videotapemusic-7-ainthome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-15</lastmod>
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  <url>
    <loc>https://www.bigduckmusic.com/features/yeule-too-dead-inside-glitch-princess</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-15</lastmod>
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      <image:caption>Credit: Yeule YouTube</image:caption>
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    <loc>https://www.bigduckmusic.com/features/nkei-you-singapore-rnb</loc>
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    <lastmod>2022-01-13</lastmod>
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    <lastmod>2022-01-12</lastmod>
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    <loc>https://www.bigduckmusic.com/features/mary-sue-sunbowl</loc>
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    <lastmod>2022-01-11</lastmod>
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    <loc>https://www.bigduckmusic.com/features/intriguant-spirits-uploading-video-interview-electronic-music</loc>
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    <lastmod>2021-12-10</lastmod>
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    <loc>https://www.bigduckmusic.com/features/bgourd-beansprouts-veggie-wraps-3-singapore-rap-interview</loc>
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    <lastmod>2021-10-03</lastmod>
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      <image:caption>BGourd and Beansprouts. Photo: Chris Sim</image:caption>
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    <loc>https://www.bigduckmusic.com/features/spicy-sambal-snake</loc>
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    <lastmod>2021-08-07</lastmod>
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    <loc>https://www.bigduckmusic.com/features/best-singaporean-music-in-2021-so-far</loc>
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    <priority>0.5</priority>
    <lastmod>2021-08-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728606219-P0F789CAR5J3ZHOOB7ST/ihasamic-wovensound-repack.jpeg</image:loc>
      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728813988-XAHR1P4TGC5WVXJV624U/planeswalker-entity.jpeg</image:loc>
      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728534115-5LFGZTHN5Y8IB0RFDHAM/BGourd-VWraps3.jpeg</image:loc>
      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728582846-BJZ7L0SMLHG4RPE2SN8X/jorud-music.jpeg</image:loc>
      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728771779-SKOUBS3YXQ8Z19Q17D90/viticz-re_build.jpeg</image:loc>
      <image:title>Features - We’re Halfway There: The Best Singaporean Music in 2021 So Far - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728759415-6QSW8G6DT2BKK6FSPMKS/halal-sol-dijamin.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.bigduckmusic.com/features/oi-hardcore-punk-documentary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-10</lastmod>
  </url>
  <url>
    <loc>https://www.bigduckmusic.com/features/queer-asian-artists</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Unite Asia</image:caption>
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    <image:image>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Press</image:caption>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Press</image:caption>
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    <image:image>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Steve Leggat</image:caption>
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    <image:image>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Unite Asia</image:caption>
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      <image:caption>Credit: NET GALA Official SoundCloud</image:caption>
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    <image:image>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Press</image:caption>
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      <image:caption>Artwork: Laurent Yee</image:caption>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Press</image:caption>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: Pan Daijing Official Bandcamp</image:caption>
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    <image:image>
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      <image:title>Features - Forever Fluid: Music from 10 Queer Asian Artists You Should Know About - Make it stand out</image:title>
      <image:caption>Credit: FUCKBLUE Official Bandcamp</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1622652504360-ISVFW2GHU6WZ5P2WY8XD/ABANGSAPAU-PP01+%28PC_Hans+Goh%29.jpg</image:loc>
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      <image:caption>ABANGSAPAU. Photo: Hans Goh</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1622653713742-C5DGVAAF6JKN4NJ8YJWZ/ABANGSAPAU-PP04+%28PC_Hans+Goh%29.jpg</image:loc>
      <image:title>Features - This Is A Keynote Speech: A Chat with ABANGSAPAU - Make it stand out</image:title>
      <image:caption>Photo: Hans Goh</image:caption>
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      <image:title>Features - This Is A Keynote Speech: A Chat with ABANGSAPAU - Make it stand out</image:title>
      <image:caption>Photo: Hans Goh</image:caption>
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      <image:title>Features - This Is A Keynote Speech: A Chat with ABANGSAPAU - Make it stand out</image:title>
      <image:caption>ABANGSAPAU played at Big Duck’s Mediocre Haircut Crew show, alongside Fauxe, Hiidemen, and Deliciious. In his appearance in an NSFTV doc, he said about the show held at Tonehouse Studios: “The crowd there was just so beautiful. We had fun, talked about sad stuff, talked about suicide - it was everything just rolled into one." Photo: Isyariq Irfan</image:caption>
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    <loc>https://www.bigduckmusic.com/features/ties-that-bind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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    <loc>https://www.bigduckmusic.com/features/2021-02-28-a-tuesday-with-wednesdays-child</loc>
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    <priority>0.5</priority>
    <lastmod>2021-06-09</lastmod>
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    <lastmod>2021-07-27</lastmod>
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    <lastmod>2021-08-01</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.bigduckmusic.com/features/2020-10-27-low-pink-dominance-review</loc>
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    <lastmod>2021-07-27</lastmod>
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    <lastmod>2021-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619006531850-EBM5AMNXQ6OCKHGJIOHP/Spotify_Spotlight_Amanda_Rectangle.jpeg</image:loc>
      <image:title>Features - Love, Life, and Excel Sheets with Amanda Ong</image:title>
      <image:caption>Ong's debut work, Amanda is quite figuratively a trip down memory lane – containing songs dating all the way back to her 17-year old self.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619007529913-PKTZLRHIW86MOPUZ9LVT/Amanda_AppleMusic_Shoutout_HiRes-683x1024.jpeg</image:loc>
      <image:title>Features - Love, Life, and Excel Sheets with Amanda Ong</image:title>
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    <image:image>
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      <image:title>Features - Love, Life, and Excel Sheets with Amanda Ong</image:title>
      <image:caption>The cover art is done by Eilis Ong, Amanda's cousin – who currently is also an illustrator on Instagram under the handle @unfrigerator.</image:caption>
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  </url>
  <url>
    <loc>https://www.bigduckmusic.com/features/2020-10-06-how-i-learned-to-stop-worrying-and-love-the-gecs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
    <image:image>
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      <image:title>Features - How I Stopped Worrying and Love The Gecs</image:title>
      <image:caption>Patrician Music Chartposting</image:caption>
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    <image:image>
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      <image:title>Features - How I Stopped Worrying and Love The Gecs</image:title>
      <image:caption>100 gecs tree in Bishan Park</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619516315375-5Q1UZTMG9OYBIJ8ONWI4/100gecs.jpeg</image:loc>
      <image:title>Features - How I Stopped Worrying and Love The Gecs</image:title>
      <image:caption>100 gecs' debut album, 1000 gecs</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619516524630-WX4G8SICYXQYGI3YN84P/TreeOfClues.jpeg</image:loc>
      <image:title>Features - How I Stopped Worrying and Love The Gecs</image:title>
      <image:caption>100 gecs' remix album, 1000 gecs and The Tree of Clues</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619516429961-5MGU9W21MFC1BDT0AQDK/100gecsband.jpeg</image:loc>
      <image:title>Features - How I Stopped Worrying and Love The Gecs</image:title>
      <image:caption>100 gecs members Laura Les and Dylan Brady. Photo: Skullcandy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619516276696-793FEYM5RBB9Z80Y1M61/alvinandthechipmunks.jpeg</image:loc>
      <image:title>Features - How I Stopped Worrying and Love The Gecs</image:title>
      <image:caption>I have committed multiple war crimes and cannot enter heaven as a result.</image:caption>
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  </url>
  <url>
    <loc>https://www.bigduckmusic.com/features/2020-09-30-how-deliciious-is-bread</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
    <image:image>
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      <image:caption>Benetton with his obvious bias for bread. Photo: Benetton Lim</image:caption>
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      <image:title>Features - How Deliciious Is Bread?</image:title>
      <image:caption>Listen to Deliciious’ latest single, Problems here:</image:caption>
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      <image:title>Features - How Deliciious Is Bread?</image:title>
      <image:caption>Delicious Performing at the Big Duck MHC show in 2019 Photo: Isyariq Irfan</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1619524734838-RX02IILW7LPHPXEIXLFU/DeliciiousDJTz.jpeg</image:loc>
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      <image:title>Features - How Deliciious Is Bread?</image:title>
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    <loc>https://www.bigduckmusic.com/features/2020-09-22-sonic-art-making-five-singaporean-artist-musicians-to-know-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:caption>Yeyoon Avis Ann in her studio. Photo: Yeyoon Avis Ann</image:caption>
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      <image:title>Features - Sonic Art-making: Five Singaporean Artist-Musicians to Know</image:title>
      <image:caption>Lai Yu Tong. Photo: Lai Yu Tong's website</image:caption>
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    <image:image>
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      <image:title>Features - Sonic Art-making: Five Singaporean Artist-Musicians to Know</image:title>
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      <image:title>Features - Sonic Art-making: Five Singaporean Artist-Musicians to Know</image:title>
      <image:caption>Bani Haykal. Photo: Bani Haykal's laptop</image:caption>
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    <image:image>
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      <image:title>Features - Sonic Art-making: Five Singaporean Artist-Musicians to Know</image:title>
      <image:caption>Jeremy Sharma. Photo: LASALLE College of the Arts</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/features/2020-09-18-on-neo-punggol</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-21</lastmod>
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      <image:caption>George Chua &amp; Yeyoon Avis Ann. Photo: Ujikaji Records.</image:caption>
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      <image:title>Features - On Neo Punggol</image:title>
      <image:caption>George Chua in performance. Photo: Discogs</image:caption>
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  </url>
  <url>
    <loc>https://www.bigduckmusic.com/features/2020-09-15-four-more-nights-with-joy-alexis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:caption>Abouritz</image:caption>
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      <image:caption>Halal Sol</image:caption>
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      <image:caption>Nyfty</image:caption>
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      <image:title>Features - Four More Nights with Joy Alexis</image:title>
      <image:caption>KEAT. Photo: Tan Ee Tong / TET Photography</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/features/2020-09-13-cinnamon-persimmon-birds-eye-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
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      <image:title>Features - Review: Cinnamon Persimmon - Bird's Eye</image:title>
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  <url>
    <loc>https://www.bigduckmusic.com/features/2020-09-07-spotify-music-and-the-creative-process-a-conversation-with-bani-haykal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-12</lastmod>
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      <image:caption>Spotify's CEO Daniel Ek speaking at a news conference in New York, 2015. Photo: Don Emmert.</image:caption>
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    <image:image>
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      <image:title>Features - Spotify, Music, and the Creative Process: A Conversation with Bani Haykal</image:title>
      <image:caption>Bani Haykal's latest record - almost tomorrow</image:caption>
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    <image:image>
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      <image:caption>The members of B-Quartet.</image:caption>
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      <image:caption>Bani Haykal performing. Photo: Edward Teo.</image:caption>
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    <image:image>
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      <image:title>Features - Spotify, Music, and the Creative Process: A Conversation with Bani Haykal</image:title>
      <image:caption>Bani Haykal. Photo: Bani Haykal's laptop.</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/features/2020-09-01-on-closure-and-catharsis-with-per-sona</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
    <image:image>
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      <image:title>Features - On Closure and Catharsis with per[sona</image:title>
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    <image:image>
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      <image:title>Features - On Closure and Catharsis with per[sona</image:title>
      <image:caption>per[sona's debut EP - These Algorithms Don't Work Anymore</image:caption>
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      <image:title>Features - On Closure and Catharsis with per[sona</image:title>
      <image:caption>per[sona is the brainchild of musician and producer Joshua Aaron Goh. Photo: JX Soo.</image:caption>
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    <image:image>
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      <image:caption>The artwork from per[sona's first four singles.</image:caption>
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      <image:title>Features - On Closure and Catharsis with per[sona</image:title>
      <image:caption>Photo: JX Soo.</image:caption>
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    <loc>https://www.bigduckmusic.com/features/2020-08-26-want-to-impress-that-e-girl-at-a-gig-memorise-all-of-forests-lyrics</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>Features - Want to Impress That E-girl at a Gig? Memorise All of Forests' Lyrics!</image:title>
      <image:caption>Shermaine and Thomas on a date before the Circuit Breaker.</image:caption>
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      <image:caption>A Forests crowd with some people pointing their index fingers in the air. Photo: Eng Ngee</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/features/2020-08-18-bad-dod-yikes-review</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>Features - Review: BAD DOD – Yikes! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.bigduckmusic.com/features/2020-08-12-rock-n-roll-bands-in-indonesia</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
    <image:image>
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      <image:caption>Teenage Death Star, formed in 2001 in Bandung</image:caption>
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      <image:title>Features - The Indo Primer: 5 Bands Repping SEA's freshest scene</image:title>
      <image:caption>The S.I.G.I.T, formed in 2002 in Bandung</image:caption>
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      <image:caption>Indische Party, formed in 2011 in Jakarta</image:caption>
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      <image:caption>Fun fact, current president of Indonesia, Jokowi, is known to be a huge heavy metal fan.</image:caption>
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    <image:image>
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      <image:caption>The Porno, formed in 2004 in Pondok Gede</image:caption>
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    <image:image>
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      <image:title>Features - The Indo Primer: 5 Bands Repping SEA's freshest scene</image:title>
      <image:caption>Kelompok Penerbang Roket, formed in 2011 in Jakarta</image:caption>
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    <loc>https://www.bigduckmusic.com/features/2020-08-10-a-no-good-interview</loc>
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    <priority>0.5</priority>
    <lastmod>2021-06-27</lastmod>
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      <image:caption>A robodog in Bishan-Ang Mio Kio Park, Singapore.</image:caption>
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    <image:image>
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      <image:title>Profiles - Ties That Bind</image:title>
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    <lastmod>2021-08-01</lastmod>
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      <image:title>Top 20 Singaporean Releases of 2020 - Hauste Patterns</image:title>
      <image:caption>Math rock Although admittedly not as emotionally cathartic as its predecessor, the math rock trio’s follow-up effort to 2018’s excellent Leavings still finds room for dynamic highlights. From neurotic bass theatrics in Bassball to breezy jams in Happy and Angels, they also find new diversity to their palette, courtesy of Bobbi Brown’s laid-back hip-hop bounce (Courduroy). Refining their formula of technicality towards more settled forms, hauste find themselves maturing with Patterns, and reaffirm themselves as one of the island’s premier math outfits. - By JX Soo</image:caption>
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      <image:caption>Emo / Singer-songwriter With a far starker palette than his band’s instrumental colour (recorded in fact, with just a single microphone and guitar), math rock geek and Woes bandleader Russell Seow somehow finds an even stronger emotional potency in his solo project’s Midwest-flavored emo folk. From gentle, finger-picked yearning (The Moon, I Wish I Could...) to the driving storminess of A Haunting, Not Really glimmers with self-reflective beauty – with gentle guitars and painfully honest vocals, a calm catharsis invites you to bleed its Owen-like heart out with him. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - BGourd / Halal Sol Veggie Wraps Vol.1</image:title>
      <image:caption>Hip-house / Boom-bap Paired with co-conspirator Halal Sol’s hip-house grooves, BGourd’s first wraps kicked the year’s doors in with unabashed joy, setting the stage for the rapper’s grandly green persona. Balancing self-aware bragaddocio (6th Best Wrapper) with infectious hooks, Vol. 1 served as an absurdly fun introduction to Sean Lim’s lyrically dense boom-bap flows – with Danny Brown-esque delivery, he moves from shitting gloriously on fake hypebeasts (Waste) to celebrating his food family (kimchi jigae and his beansprout-gimmicked brother all included). With all his quirks well-armed, it was a winning opening salvo for the gourd – and luckily for RT (and even better for us), this was only the beginning. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - BIND State of Mind</image:title>
      <image:caption>Hardcore Consisting of veterans across the hardcore scene, BIND’s EP STATE OF MIND taps into years of experience to form an impressively tight, impassioned, and heavy debut. Be it the searing refrain on Defy Your Hate (“I, I won't play your game! I, I defy your hate!) or the metallic riffing on Astray, STATE OF MIND possesses all the conviction needed to make an age old sound seem fresh. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - deførmed LATE TO THE LOUDNESS WAR</image:title>
      <image:caption>Experimental electronic With a blistering blend of industrial dance grooves, hard-hitting drum and bass beats, and hardcore punk-esque vocals over a cathartically driving noise-rock aesthetic, up-and-coming Syndicate producer deførmed masterfully warps colourful synths and demented samples in what sounds like a signature sound in the making. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 20 Feston Field Notes</image:title>
      <image:caption>Ambient A quieter venture for Stopgap/Gouch guitar wizard Calvin Joseph Phua, the ambient music he makes as Feston makes its appeals through calm, microscopic studies. Dubbing his project as thematic music about the trauma of modernity, Field Notes takes on much more of a healing character, dissolving the tension of the drones that filled last year's frigid pēⁿ - ká. Here, aural scenes from Seoul to Kathmandu intertwine with carefully crafted textures, creating their own distinct transportive worlds via a comforting naturalistic palette. Altogether, they form aural snapshots of locales yearned to be rediscovered. On HP, wandering guitar fragments colour distant reveries, as cavernous field recordings build an enveloping urban melancholia – on others (Riverwaves), the soundscapes embrace comforts of the natural world, as radiating shimmers amalgamate with the flowing of creeks and streams. Even at the collection’s most alive, like on Kamal Marga’s ritualistic processions, they are portals to contemplative liminal spaces – as chants and percussion dissolve into fuzzy, modulating drones, its mass forms a glow of mystifying psychedelia. There’s a warm spirit that imbues itself across Field Notes’ three sketches – and for a year that has reveled in chaos, its gentle, yet explorative serenity always feels welcome. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 19 Bongomann Smiles EP</image:title>
      <image:caption>Deep house Bongomann’s Smiles EP is filled with the satisfying amalgamation of thumping kicks drums and bass grooves, upbeat open hi-hats, and chopped up vocal samples that would light up the dancefloor - a bubbling formula all perfectly packaged within a slick yet hazy atmosphere. Be it the cruising groove of collaborator Halal Sol’s “reluved” remix of Deeperluv (Get it) or the enticingly percussive CHIPS, there’s a little something for all fans of house music or anyone just looking for a good time at the club – or hopefully as the pandemic tides over, another gathering of fun at his Ice Cream Sundays. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 18 BAD DOD Yikes!</image:title>
      <image:caption>Garage rock BAD DOD’s Yikes! is unadulterated, pure rock goodness. The trio’s debut album is a tight, hard-hitting love letter to its garage rock and grunge influences (Nirvana, The Vines and Jay Reatard, to name a few); chock-full of contagious energy, inspired songwriting and a healthy dose of self-awareness underneath it’s no-fucks-given exterior. Opening track FIGHT is a masterclass in riff rock songwriting, setting the stage for the rest of the atomic fuzz-laden, mosh-inciting runtime – while Feel Nothing Yet and Outta My Brain highlight BAD DOD’s acute pop sensibilities, with their infectious hooks sacrificing none of its pummelling drive. Above all, Yikes!' well-crafted songwriting stays consistent throughout the album –and at just 24 minutes, it's an exhilarating listen that never overstays its welcome. Above all, it sounds like a band just having a whole lot of fun. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 17 per[sona These Algorithms Don’t Work Anymore</image:title>
      <image:caption>Alternative/Indie rock Birthed from a near-death experience, per[sona is a peek into the soul of musician and producer Joshua Aaron Goh. His debut EP These Algorithms Don’t Work Anymore is a triumphant indie rock effort – channeling Reznor to Radiohead as he paints an earnest chronicle of his internal struggles, as he paves his way to recovery from self-defeat. In the process, per[sona squeezes out what is easily some of the best recent work from renowned Singaporean producer Leonard Soosay. Even as lush electronic textures masterfully blend with live instrumentation and captivating vocal performances, its clean mix never lacks the urgency and edge required for when it gets going – like on rockier tracks such as Splinters or Version. The gorgeous soundscapes on Up/Away and Posthumous further build atmosphere upon the emotional quality of the tracks. Despite the seemingly dreary and existential nature of the EP, hope remains its overarching message. In that respect, These Algorithms Don’t Work Anymore succeeds - being not just an exploration of the human condition, but also a strong testament to its spirit. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 16 Houg The Oscillation Scene</image:title>
      <image:caption>Chillwave With nostalgic aesthetics and tasteful production choices heavily indebted to 80s-adjacent sonic palettes, the excellent songwriting on Houg’s sophomore trip-hop effort The Oscillation Scene is anything but derivative. In equal parts groovy and introspective, the EP's dense layers never loses focus. With driving drum machine hits, bass thumps and claps, ICBM's powerful lyricism and refrains present an enticing duality, forming both commentaries on love's struggles and critiques on artistic integrity. On Wet Wants, a combination of tasty guitars, sax licks and understated keys set the stage for impassioned vocal performances, altogether leading to satisfyingly huge snares and infectious, grooving verses. On other notes, like on closing track Slippin’, Houg walks the line between his trip-hop and art rock influences, with the resulting track feeling soaring, cathartic, and profound. Massive, yet melancholic and intimate, The Oscillation Scene presents an honest narrative, depicting Houg's own bouts wrestling with self-doubt and insecurity. Across its 6 tracks, The Oscillation Scene feels fresh, provocative, and sensual- but most importantly, it feels honest. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 15 Claude Glass Isekai</image:title>
      <image:caption>Experimental Pop In one of the year’s most left-field surprises, Isa Ong’s (of Pleasantry, Amateur Takes Control and sub:shaman) new solo moniker finds his lyrical songcraft morphed through the prism of astonishing, fractured glitchscapes. Taking after anime-inspired spirits of transportive fantasy, Isekai’s sonics find otherworldly parallels with his own dissociative experiences, through rabbit holes of complex beatwork and stuttering organic textures. The album's world represents a self-described bundle of nerves – as the tracklist progresses, its anxious dramatics manifest themselves in an arc that grows in exhilarating intensity. Inward finds manic IDM-adjacent breaks giving way to suspenseful arpeggios, while his formative influences peek their head through the cracks on Corcovado (itself a reference in name to a Jobim bossa classic). Like its namesake, Isekai finds his base sensibilities in alternate dimensions, processed through their own demented maelstroms. “What disguise do I craft this time?,” his persona croons – and as his familiar guitars stutter on top of pounding bass and kicks, alien melodies write Isa’s warped character studies. Revealing a glitching interior, Isekai presents wonder through mutation. As its five tracks navigate stories of decaying relationships, fragmenting identities, and distorted passions, its sonics mirror mania as they intensify. dead knot’s neuroticism finds Isa riding sparse sub bass and shuffling percolations towards frantic, explosive breakcore, while the title track’s breakbeats bloom into sequences of engineered, tribalistic chaos. Eventually, with industrial textures and wandering bass, the journey fizzles to a sudden stop. Like its accidental nature, Isekai’s confusion closes itself not with premeditated resolutions, but by surreal fadeouts of shock. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 14 Various Artist (Tired Records) Pick of The Lot!</image:title>
      <image:caption>Compilation 2020 really didn’t give us much to celebrate about, but Tired Records somehow found a bright spot by celebrating what we most sorely missed in person - community. Capturing a key slice of the indie rock scene prominent over the past three or four years, Pick of the Lot! transforms its key highlights into challenges, each song a template for for their peers to remake in their own styles – the result creating a colourful jigsaw displaying the scene’s wealth of sonic character. Admittedly, some pieces fit better than others. Some tracks inherited the spirit of their originals, though with mixed results – while susurrus distilled Anchor Forever's sweaty refrains into calculated crescendos , their counterparts presented a straightforward, punkish rendition of Cosmic Child’s aching Warm, accidentally stripping it clean of its atmospheric wonders. On others, the originals became launchpads for entirely different takes, injecting their own distinctive palettes – from beatdown hardcore courtesy of Charm, to strangely tropical bars on a redubbed Super Shinada, to Forests’ familiar midwest noodling. But its most exciting moments were when these tracks struck a delicate balance, transcending their originals via reinvention. With whimsical tapping and buoyant harmonies, math quartet cues recrafted Peachy’s slow-burning melancholia into a hopeful statement of yearning – while on the other hand, Cosmic Child refracted Forests' emo through their signature gossamer haze, closing the compilation with prismatic beauty. Even on the cuts that fell slightly flat, Pick Of The Lot’s adaptations and mutations displayed these songs’ wondrous versatility – and above all, it reminded us of one thing always worth celebrating: the power of collective creativity. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 13 Sam Rui In Between</image:title>
      <image:caption>Pop/R&amp;B Rising above the myriad of her fellow Pop/R&amp;B contemporaries with inspired songwriting, tasteful reverberated production, and a killer voice equal parts characteristic and charismatic with Korean flair, Sam Rui’s In Between is a remarkable EP that proves itself to be a firm winner. Standout track How It Ends features R&amp;B singer Slodown for a memorable and heart wrenching duet detailing star-crossed love (“Not every story ends/ The way that they deserve to/ Maybe in another lifetime you and me could’ve last”), with both vocalists bringing some of their best performances yet. Be it the shattering heartbreak of U Luv Me or the rousing camaraderie of Crew, In Between’s soulful and powerful production anchors its emotional journey. Hazy yet concisely crisp, the collection forms its own beautiful contradiction, just as the life of loneliness, companionship, love, lust, and friendship Rui sings of on its tracks. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 12 Dog Eater DOG EATER</image:title>
      <image:caption>Metalcore Is this the future of Lion City Hardcore? Perhaps one of the biggest surprises of 2020 was the blistering self-titled debut of brothers Trevor and Russell Wee’s metalcore project Dog Eater. Despite their absurd online presence chock-full of deceptive memelording, Dog Eater’s debut EP wastes no time in quickly establishing their sludgy, metallic riffage. A monster work that clocks in at just 10 minutes, impressive bangers like Undefined boast dissonant harmonics and guttural vocal performances - all nicely tied together with extraordinarily brutal and tight production work from Aaron Devoy of ARC (Aggressive Raisin Cat). - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 11 mary sue GREY NOISE</image:title>
      <image:caption>Experimental Hip-hop Borne from a formative wandering, Grey Noise’s splintered beats present internal portraits of isolation through fractured obscura. With sensibilities informed by a legion of beatmakers working within sample-heavy strains of atmospheric, experimental hip-hop (think the likes of MIKE, Medhane and Some Rap Songs-era Earl Sweatshirt), Mary Sue's debut sees the emerging producer/rapper skewing fragmented microsamples and sequencing harsh, scattered beats into a bedrock of ghostly, amorphous soundscapes. The result are minute-long vignettes that make their impact through a series of distinctively impressionistic, yet blindsiding jabs. On Dead Space, saxophone runs and manipulated strings thread themselves into a hauntingly descending veneer, while Play With My Heart’s stuttering sonics find glassy melodies snapping into place with hollowly abrasive snares and rumbling waves of sub bass. Riding this phantasmal hypnagogia, a cold, dejected delivery presents skeletal verses, telling stories of vulnerability, sin, and at times a yearning regret on past mistakes. Yet even with rhymes painfully direct, he shrouds his subjects in perpetual ambiguity, turning his words into mystifying windows observing possible pasts and faded memories. As listeners explore these juxtapositions, Grey Noise’s sonic universe ensnares them into its haunting shadows – but before these figures emerge into focus, its sum evaporates into an enticing mist, leaving listeners reeling for more. Although the year later saw further world-building with a denser follow-up effort, Grey Noise stands as a clear showcase of a young producer with a creative vision ahead of many of his peers. Finding poignancy in abstraction, its frigid reveries serve as a mere introduction to an exciting darkness. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 10 The Observatory / Keiji Haino Authority is Alive</image:title>
      <image:caption>Free improv Keiji Haino is an immovable presence. From collaborations with sludge metal titans SUMAC to works with legendary ensembles like Fushitsusha, the avant-garde icon's always manages to leave his own distinct imprint on the performances and settings he finds himself in. With his iconic vocal presence and animalistic guitar freakouts, his work channels shades of meditative catharsis via an intense totality – and having always been on the pulse of the fiercely explorational, The Observatory unsurprisingly come as perfect playmates for Haino. Hosts of now-established experimental mainstay Playfreely, Authority is Alive documents the art-rock-turned free-improv institution’s collision with Haino at last year’s event. The meeting makes the most of the trio’s exhilarating intersections, pushed to their limits matching the legend's unhinged ferocity – with Haino’s enigmatically expressive poetry cresting and raging in turbulent maelstroms, Cheryl Ong’s rhythms tempered his potent tension, alternating between steady pulses and tensely sparse percussion. As Haino brought to life explosively esctatic contemplations on power amidst tortured shrieks and whispers, Yuen Chee Wai and Dharma's guitar-based abstraction filled in the spaces – with its sheets of dissonance and malleted tone clusters building fluctuating oceans of sound, Authority is Alive's uniquely dark communion felt utterly one-of-a-kind, and sounded ominously cognisant of the year’s dystopian frenzy. - JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 9 Mediocre Haircut Crew The MHC Mixtape</image:title>
      <image:caption>Hip-hop “MHC coming back don’t care!” A celebration of the Crew’s journey and a true testament to their legacy in shaping what Singaporean hip-hop is today, The MHC Mixtape is Mediocre Haircut Crew’s triumphant return. After a lengthy hiatus, the mixtape is a compilation of unreleased music – thus making it feel more like a rarities box set rather than a cohesive album. But with MHC’s slick wombo combo of unparalleled chemistry, infectious hooks, witty lyricism, and sleek production, these songs still elevate themselves well above their contemporaries. Be it the house influences on standout banger Bali Boys, the ground shaking 808s of SMD, or the beautifully sampled keys on Wayu Chitomi and T M I, every track on the mixtape carries a distinct flavour to them. Yet even with this diversity, there’s a sense of continuity between them all – with omarKENOBI, daniKIDDO, and mickeyLEANO’s characteristic voices. Hard bangers like the trap-flavoured Juice or the old-school gangsta rap inspired Don’t Care are balanced out by the intimate soul searching of Comfort or heart-wrenching crooning on Nobody Knows. In between, the crew sprinkle just a good dose of playful humour – standout track TOM YUM is a masterclass in absurd storytelling, while faux-country number Runaway Child stays unapologetically ridiculous. While perhaps The MHC Mixtape isn’t the most focused project (especially when compared to their legendary debut EP), it’s a release that perfectly encapsulates the joy and confusion of youth. An alternative Singaporean coming of age story, the mixtape feels like a swan song for this era of Mediocre Haircut Crew - after all their adventures, they’ve grown up. - By Isaac Yackem</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 8 Woes Wake Up Pls</image:title>
      <image:caption>Math rock / indie-pop Previously mired in meandering tendencies that obscured their great melodic potential (on singles like Lake and Goldilocks), Woes' latest EP finally brings them a magical balance. With the math-rock quintet now finding an anchor in new vocalist Raizel Gonzalez’s jazz-influenced proficiency, Wake Up Pls is brilliantly lucid – with these four songs, they now find themselves able to channel their radiant technicality through the lens with laser-sharp pop songcraft. These four songs run by a playbook familiar to their Midwest-math friendly contemporaries – from Elephant Gym to TTNG – but with Raizel’s vocal gravity, these formative influences now find a comfortable yet distinct home. The songs no longer sound like pure showcases of technicality – but rather charm with a melodic cohesiveness that its opening one-two punch demonstrates in spades. On Tadpole, a tapped prelude effortlessly melts into driving indie-rock verses – while its successor is even stronger; with Monkey Tennis’ galloping drums and bass theatrics morphing into a graceful, key-flourished glow. Effortlessly switching tempos into a twinkling outro jam, the band delivers their best song by far, as its gentle yearning tale brings to their math-pop a distinct touch of infectious lightness. Even when they indulge in more wandering or explicitly derivative tendencies, (Bikini Bottom’s CHON-like noodling or For Damien Carter’s gigantic crescendos) their evolution allows them to become songs that persuade with effortless charm. It’s a powerful invitation: more people should really wake up to Woes - at least certainly, their music has. - JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 7 KoFlow Metem</image:title>
      <image:caption>Progressive Electronic From organising b-boying mainstay Radikal Forze Jam to winning worldwide competitions over a decade-long tenure, KoFlow's music has always been rooted in sweaty clubs and an embrace of dynamic motion. On Metem, he distills this vitality into a transfixing collection of high-octane bangers, morphing meticulous sound design into explorative journeys that traverse beatscapes all the way from cerebral strains of future bass and IDM, to hip hop and dubstep's rhythmic thump. From Love Birds swooping synths and gun-shot like rhythms to the title track's rumbling subbass and powerful physicality, its visceral sonics powerfully invoke the raw energy that rides on the steps of youthful dancecrews on sweaty, hard-earned floors world-wide. But most impressively, Metem's peaks come through impeccable sonic precision - whether it be Hear Me Coming riding epic strings to an earth-shakingly skeletal drop, or the vocal treatments from Dreamers' building verses to This Shite Hot's staccato, footwork like chops, Koflow's experience and awareness allows him to engineer beatscapes that perfectly mould themselves to powerfully impeccable timings. Even as Metem intensifies with intriguing sonic diversity - from Above The Horizon's emerging drum and bass flourishes, to closer Be Who You Really Are's massive, bitcrushed drops, its kicks and snares give perfect room that soundtrack sharp movements of imaginary choreographies. Metem is a document of beat music's uniquely expressive capabilities, but also a tribute to the power of ceaseless exploration - and sometimes, experience does help. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 6 Intriguant Spirits</image:title>
      <image:caption>House / Techno After presenting a dusty, heartfelt ode to the dancefloor with last year's Kindred, 2020 saw Intriguant’s beloved spaces finding sudden rejection. But even as COVID-19 shuttered many of the spaces that celebrated the electronic community, its absence served not as a death knell, but a space for new imaginative possibilities to emerge. As he brought his own Uploading Nights onto online spaces, Intriguant’s third album, Spirits finds its beats guiding Kindred’s gates to an entirely new world – with well-placed collaborations and its breakbeats and hyper-lush textures, the producer welcomes luminous sonic possibilities in celebratory and kinetic fashion. Although its cuts inherit its predecessor's percussive sensibilities (with Cosway’s drum machine hits and conga layers coming closest to its skeletal energy), Spirits’ four-on-the-floor familiarity does away with Kindred’s isolated cold – instead dissolving into an ephemeral, inviting mist. Here, his dancefloor-ready cuts come wrapped in warm, emotional saturation – from Hours trailing reveries and Stargaze’s lounge-like woodwinds, to the subtly reverberating melancholia that accompanies Desandan’s guitars and squelched grooves. It’s a versatile canvas that invites for various degrees of sonic alchemy with the community he has long celebrated: on Wind, HYU’s brand of simplicity finds her Korean juxtapositions not far from Park Hye Jin’s hypnotic deliveries, while fzpz’s technicality injects into the tracklist hyperactive beatscapes. And at its most alive, Spirits finds itself enrapturing and enveloping with its radiance –embodied on centerpiece Our Love, as its haunting vocal samples find a home in skittering beats that endlessly charge forward. Ultimately, Spirits’ imaginary dancefloors become their most potent as evocative portals, as its emotional yearning converges with visions of future convocations. Holding the dancefloor’s joie de vivre in hand, Intriguant finds himself readying for its return with open arms, while facing its imaginary future with a dynamic, unwavering spirit. - JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 5 George Chua Smokescreen</image:title>
      <image:caption>Harsh Noise Packed with brutal walls of sound and grids of harsh noise, multi-disciplinary artist George Chua’s return to music is a sonic mirror for an overstimulated zeitgeist. Comprising improvised exercises on deliberately crafted modular synth combinations, Smokescreen is thrillingly unpredictable. At once both viscerally powerful and mentally disorienting, Chua’s experiments form hyperdense music that morphs into metaphor for an overwhelming modern life. “What lies behind the Smokescreen?” the album asks. An ephemeral, formless nature accompanies the album’s scenes, allowing themselves to mould themselves into the potential metaphors that their titles suggest. Chua’s titles provides some mild context on their inspirations: from jazz-funk elitism to metropolitan futures (from Guangzhou to Tokyo). Indeed, structure emerges in some of these pieces, mirroring urban life’s suffocating constructions – from Neo Punggol’s overflowing percolations, to the martial percussiveness of Desert Screen. But it's the more obliterative cuts like Empathy’s cathartic sonic violence that signal a more plausible explanation. Closing the album with sheer abrasion, it reflects a tongue-in-cheek irreverence Chua balances with his adventurous sonic excursions. “No genre, no commercial potential, military use only,” he proclaims on his bandcamp page. Perhaps behind the smokescreen is an opaque future – an endless fight is against a formless, undefeatable enemy. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 4 Hanging up the Moon For The Time Being</image:title>
      <image:caption>City Pop Finding kindred spirits in gentle grooves and city pop-informed melancholia, For The Time Being reinvents Sean Lam’s Hanging Up The Moon’s folk-pop with a settled optimism. Following adventures in Taiwan with their compatriots at Big Romantic Records (home to Lin Yiloh of noiseniks Skip Skip Ben Ben), the EP’s songs reveal a rose-tinted, pastel interior – looking away from the downcast palettes of their Kitchen Label past, the quartet channel their trademark sentimentality in a fresh sonic playground. A tapestry of lushly strummed acoustic guitars, sentimental verses, and upbeat arrangements, these four songs radiate a delicate, autumnal glow. Hold The Colours’ surging harmonies give way to verses that touch upon internal brooding – while on the title track, the band rides deliciously palm-muted riffs to a celebration of community, as Lam’s words contemplate loss and resignation with trademark wistfulness. “Maybe I’ll see you again,” he sings – looking back at memories conjured by faded photographs and journeys spent looking skyward, they find comfort through a yearning for future friends and brighter travels to come. In a year that has felt relentlessly bleak, For The Time Being’s grounded warmth remains reassuring with its effortless charm – it’s music that celebrates beauty in the weary. After all, with a world caving in, pausing for fleeting memories isn’t such a bad thing. - JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 3 Naedr Past Is Prologue</image:title>
      <image:caption>Screamo For Naedr, “past is prologue” is more than an apt statement. A collision course of more than a handful of Singaporean heavy music mainstays – from the shrieked intensities of Paris In The Making and Bethari to math rock trios in susurrus and hauste – the five-piece supergroup's experience delivers a screamo debut that shines with earth-shattering brilliance. Blessed by outstandingly clear mixing, Past Is Prologue’s highs suffocate with obliterating intensity. The muscular The Prodigal Son pounds and punishes in a breathless, minute-long blitz, while on The Waltz of Fate, the band rides impeccably tight tremolo passages into white-hot blast beats. These songs are bludgeoning on impact – but underpinning these highlights are intricacies where their collective acumen shine. Melodic textures colour The Waltz of Fate’s blinding crescendos, as guitar leads reveal themselves rich with melancholic depth. Meanwhile, on The Sorrow, Naedr triple its climaxes with precision, taking its tale of gruesome dismemberment through a masterful exercise of tension and release. And it’s these moments’ overwhelming sonic urgency that allow space for its heartbreaking lulls to shine. As crystalline tones bridge into the widescreen brilliance of Asunder and Disquiet, the album finds a window for brief pause, only for that breath to be robbed again by Gehenna’s punishing closing statement. Those underpinnings reveal their foundational influences – shades of brilliant company ranging from slowburn Japanese compatriots in Envy, to the melodic richness of European peers like Suis La Lune, La Quiete and Raein. Past Is Prologue presents nothing particularly groundbreaking in regard to those bands, but held to the pantheon’s highlights, these songs more than stand their ground. As vocalist Timothy Wong’s abrasive shrieks pierce through the violent chaos, a literary ambition presents itself – balancing with references both biblical and philosophical, spanning English, Chinese, and Bahasa alike. With craftsmanship abundant in their songwriting, the band forms a collective statement that stands uniquely on its own. Above all, it’s just absurdly well-crafted screamo. As Gehenna’s title suggests, its towering intensities form in their own way an extraordinary place of punishment. Extracting soul-ripping intensity from their lowest points, Naedr find stunning beauty through climactic maxima. - By JX Soo</image:caption>
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      <image:title>Top 20 Singaporean Releases of 2020 - 2 BGourd / Fauxe Veggie Wraps, Vol. 2</image:title>
      <image:caption>Hip-hop / Boom-bap Now teamed up with veteran producer Fauxe, the green-skinned alter ego of one Sean Lim crafts a groundbreaking EP that defies all conventions of Singaporean rap thus far. Boasting a palette with influences from Denzel Curry to John Coltrane, they form a sound that’s truly their own – bravely experimental, unabashedly intimate, darkly humorous, and surprisingly catchy. Departing from the house-tinged bangers of Veggie Wraps, Vol. 1 (which inception is equal parts indebted to previous co-conspirator Halol Sol), Vol. 2’s uncompromising and adventurous nature is immediately apparent –Stop Here If You Want To, he proclaims to his listeners on its eponymous opening track. Over its 14 minute runtime, Fauxe’s beat work crafts a densely organic concoction in which every distorted sample, kick or snare serves a purpose despite its seemingly chaotic noise and speckle. BGourd’s nasal conviction contextualises the chaos – his delivery weaving a narrative that explores identity, self, time, and death. Reel brings a confrontational critique of Singapore’s rap scene, dissing the scene’s prevalent mediocrity and unoriginality (“All you listen to is just Sicko maybe some Cole / but all you are is lukewarm with no flow”). Over a beat comprising of dry key samples and a moving bass synth that seems to have a mind of its own, BGourd owns the quirks that make him while Fauxe plays with its arrangement in an almost improvisational manner. Fair Price is a standout track on the EP, with a signature Fauxe-ian hook that grants it a charm that’s equal parts weird and infectious, while BGourd comes to terms with the realities of life and his own self-worth - lyrically bundled up with odd veggies-at-the-market metaphors that just magically work. (“He see’s asparagus get picked up again”) It’s followed by Fresh Air, a much welcome breather to the heavy subject matter of the previous track, as its energetic, cheeky sax samples ride a lively percussive bounce that allows BGourd to feed off its energy and stay in his element. (“I’m just having fun man/ eating up the ramen”). Alignment’s house-leaning tendencies harken back to Vol. 1 – yet still feel characteristically Vol. 2 with impassioned delivery from BGourd as he explores his place in the grand scheme of time and space. The beat switches up at the end into an experimental outro, in which warped sounds are built up into a gratifying bass hit before fizzling out into string samples - driving home the subject matter of the song and giving it a truly cosmic feel. Finally, State ends it all on an intimate note, with faint vocal samples and simple drum patterns that sparsely populate its piano melodies. As the beat takes a backseat to BGourd’s observations and intricate lyricism, State is the EP’s great pay-off – as the song reaches its end, Fauxe’s beautiful backing vocals and subtle horns adorn it as BGourd’s last impassioned bars bring Veggie Wraps, Vol. 2 to a close with a sense of finality. (“I got the belt up on my neck see it real down low on my waist/ keep it calm no similes on my name/ all family to my name/ I'm in the mood/ in the mood”) A massive step-up from an already solid debut, it's an exciting prospect to wonder how BGourd going to continue surprising and innovating when Veggie Wraps, Vol. 3 eventually drops. As BGourd himself would say, his music, like the bitter gourd, is an acquired taste. It might not be for everyone – but taking the effort to learn to enjoy it is truly rewarding. - Isaac Yackem</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1620799412837-4VNPV098CSVBODBXD8CR/gif-HAILNOTHING.jpeg</image:loc>
      <image:title>Top 20 Singaporean Releases of 2020 - 1 .gif Hail Nothing</image:title>
      <image:caption>Synthpop In gif’s world, isolation is a familiar thing. From saudade to soma, a rainy-day sentimentality has always permeated through the electronic duo’s work – but on Hail Nothing, a title that displays them at their most seemingly nihilistic, .gif now find hope in bleakness. Embracing the faintest light emerging from the ends of their Sisyphean tunnels, Hail Nothing’s songs present powerful statements of affirmation, brought to life via exquisitely arcane night music. Easily Din and Weish’s boldest artistic statement so far, it is a triumph that stands as a landmark release in Singapore’s electronic scene. Crafted painstakingly over a four-year long gestation period, Hail Nothing’s obsidian sonics are immediately arresting. Aided by tenured producer Jason Tan, its microscopic details find themselves becoming full-fledged highlights. Vacant Speck’s frigid arpeggios reverberate and dance amongst scattered polyrhythms; Let’s Go’ schipped synths and bass pulses balance in strange, joyous techno; Not My Place thrillingly alternates between rumbling bass and key stabs into a transcendent sweep. It’s this clinical minimalist palette that provides Weish a perfect canvas for emotive contrast. Embedded in a pristine bedrock of darkly sparse synthpop, she tells tales of constriction, alienation, and failed pursuits – “I can’t feel anymore,” she croons on And While Alive. But as her vocals twist and turn, her trapped stories bring shades of hope. On lead single My Darling, these stories even turn autobiographical – turning writhing cries of pain and helpless suffocation into demented affirmation. It’s a sentiment encapsulated from its very first notes. “Your sadness is yours, nobody can take it from you,” she croons on the spellbinding Only Yours, intertwining with the dulcet tones of B-Quartet luminary Bani Haykal. As their celebratory sonic journey ends, the statement becomes Hail Nothing’s manifesto. Unable to find true connection and belonging in an absurd world, there remains comfort in pure action – power in persisting in the self. Even without answers in the end, .gif prove that there is beauty in just being. - By JX Soo</image:caption>
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    <lastmod>2025-11-17</lastmod>
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      <image:title>About</image:title>
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    <loc>https://www.bigduckmusic.com/profiles-bind</loc>
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      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Ragman, BIND’s frontman and vocalist.</image:caption>
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      <image:title>Ties That Bind</image:title>
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      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1621444095762-GRFXGN7GH2JCEA1HIBLW/IMG_9433.jpg</image:loc>
      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ties That Bind - “For us in BIND, we just like to keep it raw, and go back to the essence of playing fast, aggressive, straight up. No frills, no bullshit, no cheap thrills – it’s just hardcore the way it was meant to be,” Ragman explains.</image:title>
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      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ties That Bind - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ties That Bind</image:title>
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      <image:title>Ties That Bind - STATE OF MIND is out now.</image:title>
      <image:caption>Out on Dangerous Goods</image:caption>
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      <image:title>Ties That Bind</image:title>
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      <image:title>Ties That Bind</image:title>
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      <image:title>Ties That Bind</image:title>
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      <image:title>Ties That Bind</image:title>
      <image:caption>Photos: Png Eng Ngee for Bandwagon. Click on the photos for the full gallery from Bandwagon</image:caption>
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      <image:title>Ties That Bind</image:title>
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      <image:title>Ties That Bind</image:title>
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    <loc>https://www.bigduckmusic.com/profiles-kelvin</loc>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story</image:title>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1620996826216-89WQF34HPT0EQZZ6NXDW/130006920_10157967897166553_889161187585653552_n.jpeg</image:loc>
      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Kelvin’s improvisational avant-garde band from the 90s, Stigmata. Its lineup consisted of Kaye (now of Darker Than Wax fame), now renowned painter/bassist Ian Woo, and Kelvin himself. Photo: Kelvin Tan</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1620997024410-AP23CR3RLLHVRV3MRFED/image-asset.jpeg</image:loc>
      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - “During the circuit breaker, I thought to myself that it would be great to just show up at Ah Boy’s with just a guitar, mic, and no plan - to just make music.”</image:title>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Make it stand out</image:title>
      <image:caption>Kelvin’s gifts: A print copy of his first novel, 'All Broken Up and Dancing,' and a CD of his first solo album, 'The Bluest Silence.'</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1620997284993-VCPXIV1FK6BAL2LWJAVG/IMG_5913.jpeg</image:loc>
      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Make it stand out</image:title>
      <image:caption>Kelvin’s Nevermind cassette signed by Kurt Cobain when Nirvana was in Singapore. Credit: Kelvin Tan</image:caption>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story - Make it stand out</image:title>
      <image:caption>Kelvin’s performer’s pass for the 16th Spring Arts Festival in Pyongyang. Credit: Kelvin Tan</image:caption>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story</image:title>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story</image:title>
      <image:caption>Kelvin performing for Kim Jong Il in North Korea.</image:caption>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story</image:title>
      <image:caption>Kelvin alongside an international cast of musicians in Pyongyang, North Korea.</image:caption>
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      <image:title>The Meaning of Success: Kelvin Tan and a Never Ending Story</image:title>
      <image:caption>Kelvin in Pyongyang</image:caption>
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      <image:title>A Tuesday with Wednesday's Child - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Pedestrian Life cover art Photo: Jamie Png</image:caption>
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      <image:title>A Tuesday with Wednesday's Child - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Spicy! Say Hello to Sambal Snake - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Spicy! Say Hello to Sambal Snake - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Spicy! Say Hello to Sambal Snake - Make it stand out</image:title>
      <image:caption>“Rap music is such a liberating form of art where I can be whatever and whoever I want to be.”</image:caption>
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      <image:title>Spicy! Say Hello to Sambal Snake - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Spicy! Say Hello to Sambal Snake - Make it stand out</image:title>
      <image:caption>“I wanted to earn my place in the scene through my own merit”</image:caption>
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      <image:title>Spicy! Say Hello to Sambal Snake</image:title>
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  </url>
  <url>
    <loc>https://www.bigduckmusic.com/finds</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-19</lastmod>
  </url>
  <url>
    <loc>https://www.bigduckmusic.com/top-20-singaporean-releases-of-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/efb85df4-3e88-4a9b-9921-1d9c524d3cb0/rebuild+viticz.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - viticz re_build</image:title>
      <image:caption>Electronic An early career highlight from teen beatmaker Viticz, Re_build traverses fractured glitchscapes and net-obsessed Japanese hip-hop styles to create a statement that glows with exhausted interiority. Enlisting features from Japanese compatriots Lil Chill, Tyrrer and yxki, the EP’s fluorescent cuts of auto-tuned melodies and noise (“Swimmy”) come hand in hand with inversions via cavernous sound design (“Submerged”) - its whole forming a personal triumph over burnout and exhaustion. - JX Soo Highlights: “Swimmy”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/115f9d6b-f552-4b50-9eb5-b8c4b65c95fb/H4oddfellows_whatsyyours.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - The Oddfellows What’s Yours and Mine</image:title>
      <image:caption>Indie rock Singapore’s original indie rock luminaries The Oddfellows return after almost 30 years with What’s Yours and Mine, an album that stays true to their signature 90s-indebted college rock with newfound vigour and determination. Recorded and put together over the pandemic, the band flips the script to present life-affirming tracks that choose to see the good in even the direst of circumstances. From previously unrecorded cuts reinvigorated from their repertoire over the years (“You Calm Me Down”, “The Song You Said I’d Never Write”) to gripping new numbers like the anthemic “New Future” and soaring “Silent Worlds”, The Odds prove that age is just a number. - Isaac Chiew Highlights: “Silent Worlds”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - ila naik angin</image:title>
      <image:caption>Experimental electronic A set of exhilaratingly spiritual compositions from multidisciplinary artist ila cooked up via Microkorg and Vulca Drums, naik angin’s minimal beatscapes manage to conjure a spellbinding nervous tension, shifting gears from squelching backbeats to kraut-like pulses. Even with its sonic primacy, it never forgets to lead to a joyous joget. - By JX Soo Highlights: “hiruk pikuk” Read our original review of the record here.</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - Blush Blush</image:title>
      <image:caption>Shoegaze The overwhelming comment that accompanied Blush’s initial single “Best Friend” was that we’ve kind of heard this before. After all, with members from by now Singaporean indie rock staples like Cosmic Child, Sobs and Hauste, the polish that accompanied its the quartet’s noise pop hooks and Drop Nineteens-like guitar work came as no surprise. But pleasantly breaking those expectations entering their EP was finding the newly minted quartet embracing the dirt - there, Blush shined with cathartic bliss, whether it be via cavernous doomer slowcore a la Have a Nice Life (“Suck”), or hushed deliveries over muscular shoegaze punch (“Come Clean”). As much as these folks kickstarted the dream pop renaissance in Singapore, the island largely still lacks actual shoegaze that brings the noise - so it’s good to hear them kick in the fuzz. - JX Soo Highlights: “Come Clean”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/3b719bec-c07a-4720-b5dc-05b320f01213/H1SAS_yours.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - Saints Among Sinners Y/OURS</image:title>
      <image:caption>Indie rock Indie rock ensemble Saints Amongst Sinners finally came through with their debut full-length, Y/OURS, a colorful, multifaceted effort grounded in both the group’s unity and ambition. While at times taking missteps (“Mattgnawlia”’s lo-fi foray), the Saints reap rewarding results from the record’s diverse palette, shifting gears between dreampop-smeared propulsion (“Bitter Truths”) to confidently laid back grooves (“Lover’s Dream”). On lush standout “Ikhlas”, they find a perfect balance between texture and energy - as vocalists Day and Mateen intertwine, the septet shows that all’s well in the family. - JX Soo Highlights: “Ikhlas”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 20 Kotoji Scribbles of the First</image:title>
      <image:caption>Indie rock Full of blossoming power pop sincerity, Kotoji’s debut full-length shines with visions of teenage years never spent at a corner Tower Records joint, presenting 2000s-adjacent memories flowing between listening booths wedged between racks of J-rock CDs and timelessly wide-eyed romances, polaroids and broken hearts. Whether it be Mitski-like melancholia finding homes in massive hooks (“Please Don’t Do It”), tasteful tributes to Spitz-colored days of yore (“Caving In”), crisp jangle pop (“For Now, We Are Good”), or harmonies reminiscent of Japanese contemporaries like Regal Lily (“Spring Street Honeybee”), Kotoji packs her poignant debut with a sense of bildungsroman yearning that remains ever-appealing - even with production decisions brickwalled just like the past. - JX Soo Highlights: “Spring Street Honeybee”, “Caving In”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 19 Chriskris Wishful Thinking</image:title>
      <image:caption>R&amp;B Inspired by confessions of adolescent love, Chriskris’ debut album Wishful Thinking is marked by infectious vocal melodies, lushly layered harmonies, and hard-hitting 808s. Teaming up with producer Lowkeii, the rapper cooks up impassioned love songs that draw from an inspired blend of hip-hop, R&amp;B, and soul. Of note are memorable hooks of tracks such as the bossa nova-inspired “INFATUATED” and synth-led “SHE’S MINE”, as well as the heart rending honesty of trap head-bopper “AGAIN” and neo-soul stirrer “LEAD ME ON”. - Isaac Chiew Highlights: “INFATUATED”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 18 Riko and Su Ember Girl</image:title>
      <image:caption>Electronic On Ember Girl, Riko and Su put you in a trance with music that flickers and glows. Mirroring the algorithm-generated chill playlists that haunt every corner of the Internet, the husband-and-wife duo’s debut EP is structured as a seamless mix of atmospheric house, where shifting modes of temporality and light coalesce in just over 24 minutes. At once kinetic and contemplative, Riko and Su deliver the thrill and intimacy of a bedroom solo rave—the perfect balm for late-night ennui. - Elly Lau Highlights: “Ember Girl”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 17 Electrico Left of the Century</image:title>
      <image:caption>Indie rock With 25 years of musicianship under their belt, Electrico made an unanticipated comeback with Left of the Century, an EP with a set of four fresh tracks appealing to fans both old and new. Preceded by their B-Sides live album recorded at the Pasir Panjang Power station, the four-track release marries Electrico’s signature early 2000s alt-rock with melodies and motifs inspired by the changing face of modern indie pop, and a greater embrace of synthesizers and experimental production techniques. The result is a record notably more atmospheric and ethereal than their anthem-heavy earlier works, like “Love In New Wave” and their 2009 National Day classic, “What Do You See?”. For those looking to explore the world of Singapore’s foundational indie scene, the record stands as a nostalgic and dreamy return. - Oto Sequeira Highlights: “Fire in the Sky”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 16 Ferng The Non-Essential Funpack</image:title>
      <image:caption>Minimal techno On Ferng’s cheekily-titled three-track salvo of minimal techno, its grids find bedfellows with hypnotic loops, thumping kicks, and cheeky samples, as the anonymous producer’s evolving rhythms gradually morph into barn-burners worthy of warehouse raves in an imagined timeline. Yet underneath the rave-induced fun, the titles of these beats carry a dark humor. Mirroring the national handouts and absurd politics that its title lampoons (“East Coast Plan”, “The Battle For Aljunied”), the kinetic yet hyper-clinical facade Ferng brings to the EP’s rave-worthy fun asks a biting question: what true fun can you be if you’re meaningless and non-essential? - JX Soo Highlights: “Jessica Talking Cock”, “The Battle For Aljunied”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/66b655b0-5ab9-4f64-b485-e8a32894443b/14halal-dijamin.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 15 Halal Sol Dijamin</image:title>
      <image:caption>Deep house The six tracks on Halal Sol’s debut EP Dijamin alone feel like enough deep house goodness to run an entire night’s party on the dancefloor. The EP steadily accelerates at every turn with an addictive momentum, right from the get go with hard-hitting opener “Don’t Feel The Bass” all the way through to the sliding bounce of Kaye’s “Hearing Deficit” remix. Highlights include “Rotund”, which builds steady hi-hats and woozy synths up into an ecstatic thump engulfed in all-encompassing arpeggiators, and “Rushin”, an rhythmic and atmospheric trip aided by Darker Than Wax contemporary Bongomann. Club doors may remain closed, but Dijamin is a shimmer of light that suggests that the party is far from over. - Isaac Chiew Highlights: “Rushin - Bongomann Re-rush”, “Rotund”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/e1e04e92-caaa-4cb1-8b05-3c707abe94d0/terrible-people-home-in-a-way.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 14 Terrible People Home, In A Way</image:title>
      <image:caption>Emo Shedding the scrappiness of their predecessors Smoking Man and Like Clean Air, ragtag emo prophets Terrible People pack in their third record enough emotional gut punches to cause hemorrhages of heartbreak more than eight times over. Aided by a powerfully clear mix, muffled sonics no longer hinder their strongest suits, crafting songs that overflow with catharsis on all fronts - 17 minutes of poignantly earnest melodies paired with pounding hooks (“Every Day”), all while their honest examinations of self-doubt and exhaustion pair themselves with stark, spaced-out foils of beauty (“Juniper”, “Slow Blinking”). Sure, some cuts have that downer Weezer energy going (“The Movies”), but listening to their weary maturity on the record’s glowing highlights and urgent anthems (“Courage”), you can’t help rooting for the underdogs. On “Derby,” they convincingly encapsulate themselves: “We’ll get them next year, win every game, home and away” - as far as Terrible People have done, Home, In A Way is their greatest win. Even when they never hit a grand slam, a home run’s a home run - glorious all the same. - JX Soo Highlights: “Every Day”, “Derby”, “Courage”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 13 MZA Balmoral</image:title>
      <image:caption>Electronic An ode to his experiences growing up in both Singapore and Japan, MZA’s debut EP Balmoral is a vibey mish-mash of hip-hop, downtempo, house, ambient, and drum ‘n’ bass that combines to explore the cyclical nature of life. Drawing from masters past such as Nujabes and DJ Krush, the producer flexes his diverse musical versatility and impressive beatmaking chops over the EP’s short runtime. Be it the hazy beatwork of Toshinori Kondo tribute “Morning Salutations”, the propulsive drum ‘n’ bass of its title track, or the jazzy hip-hop breakbeats of “Sunset”, Balmoral’s tracks are imbued with an undeniably hypnotizing allure. - Isaac Chiew Highlights: “Balmoral”, “Sunset” Read our original review of the record here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/73ec1de5-83fc-4b97-a20a-318081e802cb/tentang-langit-tinjau-belukar.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 12 TENTANG LANGIT Tinjau Belukar</image:title>
      <image:caption>Folk Stripping down the former abrasion of his former bands like Lubricant, Anxious Living and Stellarium, singer-songwriter Tentang Langit embraces tender reinvention on his debut LP - and he comes out of the tunnel with something magnificently life-affirming. A heart-rending document of urban life put in form through sincere Malay folk, Tinjau Belukar drips with powerful beauty in every mode, whether it be fingerpicked indie rock strokes (“Merah Tanda Marabahaya”), delicate piano and synth flourishes (“Tuhan Metropolis”) or even shuffling bluegrass-esque rhythms (“Langgam Marhaen”). Binding everything is the raw affectations of lived experience, of which his magnificent voice carries and harmonises with soul (“Kembara”). The urban blues never cease to be relevant, and for that cause, Tinjau Belukar is keeping the Singaporean folk torch well, well alive. - JX Soo Highlights: “Langgam Marhaen“, “Kembara Di Jalanan”, “Merah Tanda Marabahaya”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/a67ed4d2-ecdd-481d-be89-6509781d847a/steve-mcqueens-observer.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 11 Steve McQueens The Observer</image:title>
      <image:caption>Neo-soul “Any groove experienced is purely intentional,” the Steve McQueens proclaim on their biography - and on their fifth album The Observer, that statement rings more true than ever. With their work holding tasteful restraint in tow, all with unsurpassed maturity and cohesion, the neo-soul staples channel effortless grooves that thrive alongside concentrated, focused melodies, elevating both their signature playful twists and refined songcraft alike - moving from gentle balladry (‘Beginning’) and lush romanticism (“Mila Ascending”) to delightfully inquisitive odes to attention (“Eye”). They’re even a tad self-observational: “Do you like jazz?” asks vocalist Eugenia Yip on “Blue Spicy Pumpkin” - when the full-on chops showcase finally comes about on the final odd-timed fusion bonanza “15/16”, it all feels worth it. - JX Soo Highlights: “Mila Ascending”, “Eye”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/1627728813988-XAHR1P4TGC5WVXJV624U/planeswalker-entity.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 10 Planeswalker Entity</image:title>
      <image:caption>Progressive electronic / ambient A furthering of Planeswalker’s 2020 work Perihelion, the solo project from sound artist / ambient producer Mervin Wong terrified with Entity, a murky sonic journey to oceanic depths below. Tracing a sonic submersion dense with manipulated strings, melancholic synth work, and menacing intensity, Entity’s pulsating masses of sound (“Entity”) seemed to craft an sepulchral tale of sinking doom - only for glimmers of hope to reemerge, as one miraculously returns to the surface (“Return”), washing back on Wong’s shores. - JX Soo Highlights: “Entity”, “Return”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/849679fc-25b8-41bc-9808-acb0946eedaf/lmbo-lmbo.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 9 LMBO lmbo</image:title>
      <image:caption>IDM Rendered in exquisite granular detail, the anonymous veneer behind the moniker LMBO served up a slice of nocturnal IDM full of transportive sound design and stunning stylistic creativity. On some cuts, wonky beat patterns balance between panning planes of manipulated glitchwork, while on others, rumbling subbass takes hold, conjuring tides of pixeled emotion. But the true jawdropper remains its final track, ‘In Orbit’ - as gated synths morph into a otherworldly wash of sublime kicks and spectral sonics. When the track, and EP descends onto its landing pad, a peculiar levitative bliss washes over LMBO’s sonic plane, leaving you to ponder where the hell this incredible sonic universe came from. At just under 15 minutes, the anonymous producer’s ridiculously immersive debut is easily one of the year’s most stunning and surprising highlights - supreme night music for dreamed digital dimensions. - By JX Soo Highlights: “In Orbit”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6040916f51d4863950d036e7/08bfdc53-2d9d-462b-8815-d037bcfd675d/michigan%2Bmissinghim%2Bcover.jpeg</image:loc>
      <image:title>The Best Singaporean Music of 2021 - 8 lewloh michigan/missinghim</image:title>
      <image:caption>Folk pop Pop culture is obsessed with the devastation of first love, but no one really talks about how second loves can be just as—if not even more—crushing. That’s what Lewis Loh sought to chronicle on his elegiac sophomore album, where he maps a geography of heartbreak across the winters of Michigan. Departing from the pop rock sounds of 2017’s Lullacry, Loh leans in on fingerpicked guitars and hushed double-tracked vocals, tracing the contours of loss through Swiftian vignettes that bleed with small-town sensibilities: “One time/Under the old pine/We said there’d be a house one day.” Throughout michigan/missinghim, Loh tends to emotional wounds with a gentle touch; the music cradles deep swells of regret and yearning, memorialising absence itself. - by Elly Lau Highlights: “Terminal”, “Summer Boy”, “One Time”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 7 Cayenne Cayenne</image:title>
      <image:caption>Hyperpop Released just before the turn of the new year, Celine Autumn’s Cayenne alias turned heads with a pioneering venture into hyperpop worlds. Though normally renowned as the vocalist for dream pop outfit Sobs, the EP was a maximalist and infectious record that toys with mid-2000s pop tropes - the perfect soundtrack for fever dreams and solo bedroom raves. Together with her bandmate Jared Lim, they juxtapose twinkly synth arpeggiations and dance-inducing syncopated chords with pulsating noise-influenced distorted basslines in vein of producers like Arca and SOPHIE - creating a release deliriously happy as it is innovative. - Oto Sequeira Highlights: “Drivin’ Away”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 6 Carpet Golf Not As Good A Fisherman As Brock Lesnar Is A Man</image:title>
      <image:caption>Emo Uniting members from Subsonic Eye, Charm and the Neptune Waves, Carpet Golf’s debut strikes with an explosive tale of friendship and madness - an innovative addition to the emo-revival landscape laden with structurally dynamic pieces, peppered with addictive math rock-influenced riffs condensed into powerful minute-length songs. From their shared instrumental chemistry, to the numerous tongue-in-cheek inside jokes that color the brief LP’s lyrics, the supergroup’s shared camaraderie is evident - making Carpet Golf’s depictions of nostalgia and joviality riotously infectious. - Oto Sequeira Highlights: “Brock Lesnar”, “Jimmy”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 5 BGourd / Beansprouts Veggie Wraps, Vol. 3</image:title>
      <image:caption>Experimental hip-hop BGourd, Singapore’s most creative and enigmatic rapper, kicked the year off with a seven-track journey into his unconventional mind and approaches to hip-hop. A collaboration between the vegetal rapper and his brother in arms/producer Beansprouts, the dynamic duo dip into modes reminiscent of artists such as Death Grips, Flying Lotus and JPEGMAFIA to deliver a fast-finishing and highly diverse set of tracks, ranking among his discography’s best. Featuring a wide variety of influences hailing from, hip-hop, punk rock and experimental music’s left-field corners, Vol.3’s flurry of jazz chords, choral vocals, odd time signatures and harsh noise altogether morph into a semi-ironic autobiographical account of his life and upbringing. - Oto Sequeira Highlights: “Robbing Breath”, “Virtual Machine” Read our interview with BGourd and Beansprouts on VW3 here.</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 4 Jorud jorud music</image:title>
      <image:caption>Experimental electronic 2021 has undoubtedly been a productive year for Jared Lim, otherwise known as the resident shapeshifter of the Singaporean underground. For someone who straddles the realms of indie rock and avant-pop, it’s wholly unsurprising that he would be churning out experimental releases on the side. Like most of Lim’s previous work under the jorud alias, jorud music retreats to the sort of digital obscurity that Extremely Online producers often cloak themselves in, indulging in shitposting energy and gibberish titles. This cheekiness translates into the music, especially when Lim goes full pop: take the bubblegum gloss of “Spin” or the wobbly buoyancy of “Yeh”; you can tell the jorud persona is all about having fun. There are also mellower moments scattered throughout, from the melancholic sprinkles of acoustic guitar on “A” to the soft hum of ambient drones that open “Noooo”. But these production choices never distract from Lim’s ethos of playfulness, and all seven tracks are just as danceable as they are abstract. jorud music is as chameleonic as the man himself, a manifesto for what Singaporean experimental could sound like. - Elly Lau Highlights: “Crusty”, “A”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 3 Don Aaron FREEDOM?</image:title>
      <image:caption>Synthpop Despite unabashedly wearing heavy ‘80s and vaporwave influences on his sleeve, Don Aaron always looks forward on his sophomore full-length FREEDOM? – balancing his reverence for a nostalgic sound and massive hooks (be it on its title track or lead single “ITS UR BODY”) with experimental textures and unconventional song structures that constantly keeps one on their toes (namely instrumental tracks “TRANQUIL LISA” and “ESCAPE FROM GRAPHICITY”). Aaron’s virtuosic guitar chops also shine through as he rips through tasteful solos on tracks like earworm “UUUU” or soaring closer “WE SEE THE GAMMA”. FREEDOM? is a love letter to the music of decades past, and proof that even by heavily looking back, one can pave the way for new and exciting sonic possibilities. - Isaac Chiew Highlights: “ESCAPE FROM GRAPHICITY”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 2 mary sue To Those Foreign Nights, I Love You</image:title>
      <image:caption>Experimental hip-hop Experimental rapper Mary Sue has had a busy year. Since dropping his debut EP GREY NOISE in 2020, Sue has made standout appearances on a slew of forward-thinking hip-hop projects (BGourd’s Veggie Wraps, Vol. 4, Chef Chung’s BALANCE, Kingayeo’s ARMOR KING), all while dropping fresh singles alongside a trilogy of impressive EPs, including the zine-accompanied ANOTHER TIME, and METAMORPH, produced by Virginia producer and common collaborator, TRISTANTHEEND. But of the trilogy, the earliest, to those foreign nights, I love you remains the most captivating and artistically complete of the rapper’s extensive 2021 repertoire, an immersive fever dream into somnambulic darkness. Birthed from insomnia-stricken nights and featuring Fauxe on additional production, Sue’s versatility and fondness for the abstract are immediately apparent – “still” sets the mood with hazy chopped-and-screwed samples, while “for u” mesmerizes with loops and “ornament” brings powerful bars to understated soul samples. Elsewhere, Sue sings in a stunningly emotional performance on standout tracks “been here before” and “seen this before”, mirror images of each other with heavily overdriven and modulated vocals that drip with vulnerability, topping off a haunting sonic image that lingers into the wee hours. If creativity and vision are the measure of a great rapper, Mary Sue may very well be Singapore’s best. - Isaac Chiew Highlights: “Still”, “Seen This Before”</image:caption>
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      <image:title>The Best Singaporean Music of 2021 - 1 Subsonic Eye Nature of Things</image:title>
      <image:caption>Indie rock Bravely embracing reinvention and a poignant kinship with nature, Singaporean noise rock stalwarts Subsonic Eye’s third LP Nature of Things is nothing short of masterful - with its glowing warmth and effortless brilliancy worthy of classic status. A sharp turn from the lo-fi bedroom charm of 2017’s Strawberry Feels and its shoegaze-tinged sequel Dive Into, the band reinvigorate their sound with clarity and immediacy, embracing a more direct approach drawing from ‘90s indie rock, jangle pop, and even hints of midwest emo. Taking inspiration from time spent hiking, fishing, and cycling together on the sunny shores of Pulau Ubin, the band explore their place in the world and understanding of nature with playful abandon, while also coming to grips with its bleakness with newfound maturity.   That exploration is powerfully delivered by Nature of Things’ impeccably tight and concise songwriting, elevated and made possible by their undeniable chemistry lovingly nurtured over their six years together as a band. Daniel Borces and Jared Lim’s open tunings and tastefully overdriven guitars synergise perfectly in tuneful riffage, balanced with bassist Spencer Tan’s muscular grooves with graceful restraint. Drummer Lucas Tee holds together the whole in top form, bringing an emotive and exhilarating edge to Nature of Things’ songcraft with effortless clockwork-like precision. It’s in this context singer Nur Wahidah finally shines - with her cautiously optimistic lyricism and confident delivery complimenting this fresh, driving sound with a youthful introspection that makes for her best set of vocal performances yet.  The results are high points that feel timelessly replayable: be it the memorable hooks of “Cabin Fever”, the unrelenting propulsion of fan-favourite “Fruitcake”, or the idiosyncratic charm of penultimate track “Kaka the Cat”. But no matter its mode, the album’s thematic exploration of its core subject matter - nature - is never one-sided, ranging from a deep appreciation for its accompanying bliss (“Animinimism”, “Further”) all the way to environmental existential dread (“Consumer Blues”, “Unearth”). A landmark release in every sense of the word, Nature Of Things is an affirming testimony of a band that has found new life by embracing the growth of both their own and their inhabited worlds - staying always grounded, yet never jaded, Subsonic Eye have built their defining indie rock statement. - By Isaac Chiew Highlights: “Fruitcake”, “Spiral”, “Kaka the Cat”</image:caption>
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  <url>
    <loc>https://www.bigduckmusic.com/best-of-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-16</lastmod>
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      <image:title>Best of 2022 - Houg The Biting Tempo</image:title>
      <image:caption>Electronic / released on Business Casual Tripwave veteran Houg seals the deal with his sophomore full-length release, packing with analogue tones, excellent collabs (VIDEOTAPEMUSIC, Fontana Folle, Supergoods and more) and great hooks for all who love classic throwback-inspired mid-tempo hits. - Chester</image:caption>
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      <image:title>Best of 2022 - Long Live The Empire Deathless</image:title>
      <image:caption>Emo Singapore’s most honest emo band return with a stellar follow-up to the dropdead classic Underbite, featuring deadly concision (“Deathless”), inside jokes (“tell nathaniel to get a life”) and the Caulfield Cult/Marijannah/Blush/Bandwagon’s Nick Wong. With that, you can’t help but want to keep rooting for them, until you realise that they’re happy to be almost entirely a shitpost (“lmao”) so it’s OK to not care as much – then suddenly, the songs hit even harder. - JX Soo</image:caption>
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      <image:title>Best of 2022 - aeriqah All We Have</image:title>
      <image:caption>Singer-songwriter Led by Aeriqah’s excellent vocal delivery and diverse range of influences from acoustic pop to R&amp;B stylings, All We Have is a must for those in need of a soulful tearjerker - a debut that presents an introspective, vulnerable and heartfelt voyage. - Oto Sequeira</image:caption>
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      <image:title>Best of 2022 - Bakers In Space MAGMA</image:title>
      <image:caption>Indie rock An underrated pick from these indie rock veterans, back with their second EP. “Vesuvius” shines as a lead single with its searing guitars – but while awesome, its the opening track “Kage” that really stands out as a memorable highlight: featuring dark synth-laden tones and nervy spoken word from Marc Nair, it’s there where things really kick off for the album’s grittier narrative. - Chester</image:caption>
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      <image:title>Best of 2022 - mattgnaw Cherry Blossoms</image:title>
      <image:caption>Indie pop Indie mainstay mattgnaw (Saints Amongst Sinners, Hidemen) carves out his own distinct sound on his solo debut with a refreshing blend of hip-hop, bedroom pop, &amp; bossa sensibilities, providing a wonderful soundtrack to night cruising and tropical vacations alike. - Isaac Chiew</image:caption>
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      <image:title>Best of 2022 - 10 Kribo Records Sounds Of Lecak</image:title>
      <image:caption>Funk A dazzling showcase produced by Geylang’s resident genius Maggot, Kribo Records’ first full-length compilation is a whirlwind tour of everything soulful and smoky. Here, the maestro shapeshifts between monikers to touch everything from molam, funk, 60s tinged pop to all that could possibly lie between, showcasing the myriad of colors and identities that shift through the studio and surroundings. Take a sitar-touched opener all the way to a dirty ditty titled “Morning Sex” – there’s a guarantee here that no matter what, the grooves on here will be permanently wet. - JX Soo</image:caption>
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      <image:title>Best of 2022 - 9 Spacedays Lucy</image:title>
      <image:caption>Indie rock Spacedays return to offer another refreshing contribution to Singapore’s pool of indie rock psychedelia. On Lucy, the band present the culmination of their seven-year tenure, reflecting their roots as a two-piece garage rock outfit, all the way to their current brand of blooming psychedelia. Assisted sonically by legendary local producers Fauxe and Kribo Records’ Hakim, the record carries a finely saturated vintage flare on its cute – whether it be “Good Times” or “Lucy’s Space Garden”, the record finds itself staying a dynamically evolving beast, seamlessly balancing both atmospheric and groove-inducing modes, altogether forming a trip-out journey through the outfit’s inner thoughts. - Oto Sequeira</image:caption>
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      <image:title>Best of 2022 - 8 ALICIA DC Maybe</image:title>
      <image:caption>Jazz pop ALICIA DC’s music takes comfort in earnestly exploring the innocent challenges of early adulthood, all coloured with an adventurous pop palette melding jazz and prog influences. Building on her awkward yet endearing lyricism telling stories of self-doubt (“Maybe”), young love (“gray”), or even just wanting a pesky fly to go away (“Get Out”), the talented producer-songwriter flexes her chops on many turns, though never at the expense of her keen pop sensibilities: hear the exhilarating grooves and satisfying syncopation on ex-lover diss track “bbb”; or the tight, flashy bounce of the Collier-adjacent “Get Out”. Lush and tastefully produced (with assists by co-producer and scene veteran Isa Ong (sub:shaman, Claude Glass, Pleasantry)), Maybe astonishes with its off-kilter pop prowess – yet at the same time, what truly sets it apart is the EP’s relatibility. Ultimately a portrait of the singer-songwriter’s coming-of-age, DC’s debut makes one thing clear: she’s just an everyday girl who just happens to be making some pretty dope music. - Isaac Chiew</image:caption>
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      <image:title>Best of 2022 - 7 deførmed Singapore Shitpost Status</image:title>
      <image:caption>Pisspeepeepoopoo People can talk their ass off about what it means to make Singaporean music and what the fuck that means, but none have the answer quite like deførmed. Trained equally as a conservatory student and loving equally dangdut and DDR-styled breakcore, no love letter to Singapore has felt quite thrillingly rojak – and thus real and relatable – as his monumental 2022 opus. After all, finding Singapore’s beauty takes a bit of shitposting for (coping purposes), and with in throwing down every pisspeepeepoopoo, or complaint about Tampines and NUS, or just shouting “Singapore Hot” at the top of your lungs, deformed abandons all pretense (check out the sick brostep drop that tells you he ‘just put this song here to link the previous and the next song in the album’) to truly show how living in Singapore is truly the shit - in that way, Singapore Shitpost Status might be the greatest Singaporean album this year. - JX Soo</image:caption>
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      <image:title>Best of 2022 - 6 Doldrey Celestial Deconstruction</image:title>
      <image:caption>Deathpunk Bringing an iconic fusion of death metal and hardcore punk, flavored by HM2-driven riffs indicative of classic Swedish death metal sounds a la Entombed and Dismember, deathpunk heavyweights Doldrey inflamed pits from Gillman Barracks to Jakarta with their debut full-length LP. Compared to their seminal self-titled debut, Doldrey on Celestial Deconstruction are a sharpened crew with both style and songs: blending supplementary influences like doom, black metal and noise to reconstruct and adapt their sound for modern hardcore punk audiences. Balancing their signature, fast-paced deathpunk with a handful of methodical, slower tracks, Doldrey’s newly-demonstrated versatility and polish continued to show why they remain one of Singapore’s brightest young lights in heavy music. - Oto Sequeira</image:caption>
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      <image:title>Best of 2022 - 5 aspidistrafly Altar of Dreams</image:title>
      <image:caption>Ambient folk Ten years in the making, KITCHEN LABEL founders and Singapore’s ambient folk icons aspidistrafly return with a mesmerising third record, an ethereal journey through dreams aided by the power of passing time. Already masters of gossamer texture on their past outings A Little Fable and I Hold A Wish For You, the rhythms of life enabled Ricks Ang and April Lee to take stock of their sound – the results show themselves on their transportive third album, as they shed their former filmic haze to present a retrospective of their work with breathtaking clarity. On Altar of Dreams, the duo present jawdropping moments of beauty one after another – chamber-inspired numbers lead by gorgeous string arrangements (“Voice Of Flowers”), to elegant folk pieces (“Altar of Dreams”) and ghostly ambient pop (“Quintessence”) – all served alongside their obsession on collage and otherworldly sonic experimentation (“Moonmilk”, “Silks and Satins”). An impeccably elegant return that encapsulates the duo’s one-of-a-kind sound, aspidistrafly’s third record is a spellbinding portal that both reflects the spirit of their sound’s timeless beauty, while comfortably projecting their sound into the future and new directions. - JX Soo</image:caption>
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      <image:title>Best of 2022 - 4 Mary Sue Kisses of Life</image:title>
      <image:caption>Experimental hip-hop Following an incredibly prolific 2022, Mary Sue has proven himself to be one of Singapore’s most hardworking and stylistically distinctive MCs. Though you can find gems dotted all across his astounding productive streak – including travels, collabs, and loosies on Soundcloud galore – the MC’s February release remains the crowning jewel of them all, a confessional opus filled with glistening beats glowing with fuzzy textures and chopped reveries (check out “Orbs” for a stunning example), all matched with Sue’s brand of stream-of-consciousness soulsearching. While the interiority of Sue’s previous work was often clouded in metaphors and vague detail, Kisses of Life shines with its autobiographical strength, touching on everything from politics; his own relationships reflections on MF Doom; honest takes on his own sample work; to most touchingly, a heartfelt tribute to his grandfather, tracing his battle with lung cancer and death. But even when touching on grim times, Sue’s bars are here to celebrate life and bright new futures, assured to be himself. Life has many starting points – after all, he says it best on “Life’s Kisses”: “I’mma show you from the start in this race it ain’t about the sprinting / It’s the start to the hustle and we move in inches.” – JX Soo</image:caption>
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      <image:title>Best of 2022 - 3 Sobs Air Guitar</image:title>
      <image:caption>Indie pop Coming four long years after their debut album Telltale Signs, Sobs build upon the evocative bedroom stylings of its predecessor to deliver an emotive hook-filled pop masterclass. Without losing the satisfying sheen of their first record, the trio impressively push the boundaries of their sound on their sophomore record Air Guitar, replete with chunkier guitars, adventurous arrangements, and whimsical synth adornments full of character. With playful melodies and wistful lyricism, the indie pop trio embarks on a mighty quest for their own “sound of pop music” – defying a chart-oriented outlook on the genre, they delve deep into the style’s gloried past, mining for gems through their own lens to redefine their own take on “pop”. Be it power pop, shibuya kei, or hyperpop (stemming from Autumn’s solo project Cayenne), their influences run deep here – from the stadium-ready opening chords on “Lucked Out” to the self-professed “Sonic-inspired” drum &amp; bass of “Friday Night”, the band’s familiar sound is reinvigorated with a fresh, daring energy. But even as they are deep students of their form, Autumn's captivating vocal performance remains at the center of Air Guitar’s magic, spearheading each and every one of its lovelorn stories. Be it the title track’s melancholic yearning, “Burn Book”’s soaring refrain, or the heartwrenching singalong on “LOML”’s massive outro, Autumn spearheads a core message that remains at the center of indie pop’s appeal – no matter how big the message, the ones that hit the hardest are the ones closest to one’s heart. - Isaac Chiew</image:caption>
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      <image:title>Best of 2022 - 2 CURB Hope You’re Doing Well, Michaela</image:title>
      <image:caption>Emo CURB have an amazing band name. Ostensibly deriving their name from late nights and memories hanging out with friends on the curbs, CURB distill that power of that fitting name into the DNA of their music: if the power of emo finds ground zero in celebrating the magic of mundane memories, CURB are there to celebrate the version of that magic growing up in Singapore – 100% true to their lived experience, Lithe House to Lasalle. Though indebted to the genre’s giants (think Fiddlehead and Title Fight), the trio find their own way – ground their moments of release not with hackneyed melodrama but specific Singaporean realities. The result makes every single climax a devastating rallying cry – “Last Bus” says it best: “Never left 1A Short Street / Never left Dhoby Green,” hear them sing. Then match these words to Michaela’s tightly constructed arrangements, each part maximising the power of their lean trio in every indie rock mode – be it the urgently charging “Bellboy”, or the slowcore-to-soulsearching “Insult Through Injury”, or the epic riffing on “Become Again” – and you find an electric album packed with shouty hooks and superb songs that hit close to home, utterly convincing with heart, soul, and camaraderie. The result is a shining beacon that dazzled and injected fresh air in Singapore’s indie rock pile this year – shining a torch on the path ahead for a genre that has almost become a stagnant staple on the island’s sweaty underground. - JX Soo</image:caption>
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      <image:title>Best of 2022 - 1 Wormrot HISS</image:title>
      <image:caption>Grindcore Returning with their most innovative and experimental release yet, grindcore stalwarts Wormrot show why they are still top of the world on HISS. While maintaining the abrasive grindcore as perfected in their previous releases like Dirge and Voices, Wormrot climb the stylistic ladder even further on this masterwork, developing their sonic landscapes with ventures into atmospheric black metal, traditional hardcore punk, ambient music, and even clean vocals, all delivering exciting and refreshing new approaches to extreme metal as a whole (look no further than “Broken Maze”). A perfect swan song for founding vocalist Arif, their third full-length record is a creative beast that flirts with the idea of grindcore itself, proving the band as a unit that is a unique force more than worthy of their reputation within the global extreme music scene. - Oto Sequeira</image:caption>
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  </url>
  <url>
    <loc>https://www.bigduckmusic.com/profiles-sambal-snake-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-11</lastmod>
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  <url>
    <loc>https://www.bigduckmusic.com/best-of-2023</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-12</lastmod>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 23 Hanging Up The Moon Sugar Free</image:title>
      <image:caption>Indie folk After the tasteful grooves explored on 2020’s ‘For The Time Being’, Sean Lam treads more contemplative ground on the indie folk project’s fifth effort, exploring past lives and regrets with sombre touch. Yet even amidst the minimalism, the project’s familiar warm, autumnal feel persists, blowing in like a crisp breeze. - JX Soo Highlight: ‘Happy’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 22 beansclub CARRY ME AWAY</image:title>
      <image:caption>Trance Usually throwing down hyper-coded hell with their party collective Longkang Ginas and at event series like Ringtone, next-on-the-block producer Beansclub establishes themselves with a luminous debut packed full with zippy trance-tinged cuts and hi-tempo, arp-filled highlights. Mesmerising with glowing synths and endless risers at 180bpm and over, beansclub’s kicks feel fit floors made for both Ridge Racer and nxc ravers alike. - JXS Highlight: ‘shamsel’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 21 Dodgy South Enemy Spotted</image:title>
      <image:caption>Techno You can’t really go wrong with some good ol’ hardstyle. On their debut 4-tracker, techno duo Dodgy South cook up an urgent concoction of chipped out textures and blown out kicks that bedrock an anxious sound fronted by Nigel Lopez’s distorted screams, altogether manifesting into an anxious collection of aural nightmares equally fitting for LAN shop battlefield marathons to running down never-ending backrooms hallways. Sounds killer (in multiple ways, perhaps). - JXS Highlight: ‘4x4 backflip’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 20 shazza chapter one</image:title>
      <image:caption>Pop shazza introduced herself in a big way this year, and the singer-songwriter’s life-affirming debut full-length had plenty to show for it. Bringing an 11-piece band to showcase the project earlier last September, the record’s loaded front to end with positive pop bops, whether it be the effortless ode to missed chances on ‘Right Person Wrong Time’, to groovy hits of affirmation on ‘Be Kind’ and ‘Pity Party’. Firm and confident, Shareefa Aminah is determinedly establishing herself as a pop name to stay for the near future. - JXS Highlight: ‘Be Kind’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 19 JUN, Elden Zachery and Aaditya Sundar SOLTU</image:title>
      <image:caption>Soundtrack Soundtracking an equally intimate and identically-named collection/project by Elden Zachery, the designer and performer’s multi-hyphenate collaborators birth a pastoral collection of filmic compositions that radiate with gentle warmth. Shifting from the IDM beatscapes of previous projects like FRACTALS to a more organic palette, JUN’s delicate production meshes his own graceful key work and Aaditya Sundar’s acoustic guitar explorations with gossamer effect. As their interplay unfolds alongside frolicking natural soundscapes and seashores washing away in the distance, SOLTU’s core feels akin to a warm hearth generating conversations of possibility, tinges of freedom that crackle with embers of communion. (On ‘scraping elbows’, the Haley Heynderickx ‘Bug Collector’ lift only adds to the fireside magic.) - JXS Highlight: ‘for shore dwellers’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 18 Everything Us Alright Where Did All The People Go</image:title>
      <image:caption>Emo Morphing from solo acoustic effort to full-fledged trio, the side-project by Woes leader Russell Seow trades in winding instrumental breaks for hardhitting cathartic singalongs in the vein of Worst Party Ever. Packing confessional highlights on cuts like ‘Sleepsong’, while bringing fresh power to formerly gentle songs (‘Never Again’) with the band’s new three-piece configuration, the EP captures post-pandemic anxiety with a collection of relatable emo nuggets. - Chester and JXS Highlight: ‘Sleepsong’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 17 ALICIA DC LOVERGIRL</image:title>
      <image:caption>Synthpop Following 2022’s excellent ‘MAYBE’ EP, ‘LOVERGIRL’ sheds its predecessor’s jazz-pop stylings and shy girl-next-door aesthetic of its predecessor for groovy, heartfelt synthpop bangers. Yet even when delivering songs with newfound confidence, ALICIA DC’s signature adorkable charm remains in the lines: “Are you the Wi-Fi? ‘Cause I’m feeling the connection,” she sings on ‘Be Mine’. – Isaac Chiew Highlight: ‘But I’m No Angel’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 16 Constitution Diminishing Grit</image:title>
      <image:caption>Melodic hardcore Under collective We The Uncouth, quartet Constitution delivered one of Lion City Hardcore’s most confident and triumphant highlights on their third effort, throwing down a melodic hardcore gem rivalling the likes of Magnitude or Envision. Equally jam-packed with stank-face worthy riffs (‘Take Control’) to majestic, throwback chorus tones (‘And I Rise’), Diminishing Grit served a glorious highlight in what was a seeming banner year for our storied hardcore scene. (On a related note, go check out this beast of a Lion City Hardcore compilation out on Divided We Fall Records!) - JXS and Chester Highlight: ‘Take Control’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 15 Linying House Mouse</image:title>
      <image:caption>Indie rock Taking a rawer, guitar-centric approach in contrast to the polished dramatics of her debut full-length There Could Be Wreckage Here, Linying glows with a fantastic collection of sunny indie pop with big drums and guitars driving the way. With effervescent hooks and equally ethereal, sweeping dream pop numbers reminiscent of likes of Jay Som and Japanese Breakfast, Linying comes alive with joyful abandon on these four spirited songs - absolutely electric! - JXS Highlight: ‘Take Me To Your House’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 14 inno 17</image:title>
      <image:caption>Demonstrating prolific range from emoplugg scenes to a smattering of emotional 190bpm+ beatscapes on a personal compilation release last year, teenage net producer inno’s quickly setting himself apart as potentially one of Singapore’s most prodigal upcoming producers. On 17, he continues setting his agenda: an immersive birthday celebration full of woozy collection of speeding breakbeats, lush synths, and fractured piano pieces - a proof of concept in a cinematic electronic sound that seems to herald a new digital sun rising over the horizon. - JXS Highlight: ‘halcyon’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 13 Joy Alexis Knowing</image:title>
      <image:caption>Synthpop Accompanying lush beats alongside featuring assists from producers like CERATONE, Joy Alexis demonstrates a matured approach to their brand of sensitive pop, morphing into a sonically detailed electronic sound coloured with stuttering kicks and sensual vocal deliveries (‘Effloresce’). Presenting numbers that mirror experiences of their past few years moving between yearning and finding agency, Knowing affirms both impulses of creative freedom and flux-fighting with style - and some seriously deep grooves. - JXS Highlight: ‘Effervescent - Behind Beatific Smiles’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 12 Intermission Intermission Party Programme</image:title>
      <image:caption>Post-punk From the funky strut of “Blood On The Disco Floor” to biting social commentary of “No Pressure”, rising post-punkers Intermission litter their playful accounts of Singaporean life with colourful characters, absurd lyricism and charmingly authentic anecdotes – joyfully varied, their debut full-length delivers a unapologetically Southeast Asian take on post-punk. – IC Highlight: ‘Enjoy Your Life’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 11 Jon and Wei Kai If You Open A Door</image:title>
      <image:caption>Indie pop Jon &amp; Wei Kai engineer in their latest collection of jangle duets a unique twin nostalgia at once ‘60s surfer by beat and ‘90s slacker by design, with lyrics as dry as the mix of the twee vocal harmonies floating them. - Bryan Joel Lim Highlight: ‘Elvis Convention’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 10 Woes Temporal Dimension</image:title>
      <image:caption>Math pop Revisiting their roots with re-recordings of old favourites (‘The Lake’) and pushing forward with hallmarks inherited from their long-time status as live favourites, mathpoppers Woes return with an effort that develops their signature twinkly, bass-driven style. While their genre hallmarks remain, with their intricate guitar lines reminiscent of Covet and Chon, highlights like ‘Heart Silence’ and ‘Trees’ showcase the band’s sentimental tendencies, with well-crafted lyrics that capture a deep-seated anger, regret and ennui. But above all, Temporal Dimension injects elements of their collective reputation over the past few years, creating an experience packed full of music that “just makes people dance”. As if mirroring the singalongs at their shows as inspiration, the band’s injections of gang vocals and chants (‘I Can’t Explain / BBM’) helps make it an immersive effort mirroring their live synergy, a spirit seemingly captured best by its title track: truly an “all consuming temporal dimension”. - Timothy Khoo Highlight: ‘Temporal Dimension’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 9 Shye 9LIVES</image:title>
      <image:caption>Indie pop Despite her meteoric rise to success over the past six years, alt-pop wunderkind Shye has never stopped being committed to her DIY roots. After a consistent streak of three projects over the past three years, 9LIVES’ vignettes of heartbreak, longing, and angst charts new territory for the singer-producer. Here, she pairs her emotive hooks with distinctively gritty instrumentals, colouring her expressive coming-of-age stories with a consistent indie rock palette. At times, she toes the line between confident yet vulnerable (“You don’t see all my diamonds the way I can,” she snarls aloof on opener ‘PRINCESS’), while on others she balances crushing self-doubt (“Thrown under the bus, at least it blocks out the sun,” she sings on ‘11:27’). But the hooks hit big whenever they count, whether it be the yearning of alt-rock fan-favourite ‘FLOWER’, or with the comforting lush guitars on ‘SAFE’ Shye establishes herselves. Growing confidently step by step since her 2020 debut “days to morning glory”, the darker maturity of 9LIVES’ songwriting proves to be a big step-up in its newfangled edge and equal sincerity. - IC Highlight: ‘FLOWER’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 8 Namie and the Waves Undercurrents</image:title>
      <image:caption>Jazz pop For Namie and the Waves, beauty lies in oceanic tides. Swimming within richly layered, freeform instrumentation, the long-time jazz-pop mainstays return with a seven-track effort befitting its title. Here, each member effortlessly rolls in and out of the spotlight: ‘The Deepest Blue’ opens with delicately skittering keys and siren-like scat before descending into glitchy electronics, while beneath Namie Rasman’s breathy vocals, Lee Ann Gie and Arnold Armastra converse via bright, chiming keys and groovy basslines, with guitarist Andy Chong occasionally worming in for spirited solos. Steady yet fluid, Yap Ting Wei drums up dynamic fills that swell in finger-tapping penultimate track ‘Counting Ships’, before crashing waves lull the listener gently into sleep on the record’s atmospheric closer ‘undercurrent’. Midway, Rasman sums up the record best in ‘Q:’, asking: “Isn't it beautiful / when the light shines through / the cracks in the sky / as the eagle circles / high up above?” Reminiscent of the ocean’s ebb and flow, the five-some capture that same beauty in ‘Undercurrent’s tracks, crafting artful, compact vignettes of love and nature. - Wayne Lim Highlight: ‘Gone’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 7 Subsonic Eye All Around You</image:title>
      <image:caption>Indie rock Confidently nonchalant, Nur Wahidah’s signature drawl leads the way on indie rock quintet Subsonic Eye’s fourth record, All Around You. Freshly injecting their folk-minded jangle with post-punk sensibilities, the band swap out their celebration of the natural world in 2021’s Nature of Things for lamentations of young, urban adulthood – critiques of modern activism (“Ticking boxes / Charging laptops / Separating causes from ourselves,” opener ‘Performative’ begins) erupting into ‘Circle’s’ absurdist despair. On other tracks – through head-bobbing ‘J-O-B’, the fuzzy titular refrain of ‘Pick Up The Phone’, the hypnotic earworm ‘Yearning’, or the dueling fretwork of Daniel Borces and Jared Lim on ‘Machine’ – drummer Lucas Tee behind the kit lifts Wahidah’s voice with gentle cymbal washes and steady fills. Through it all, Wahidah points out a precarious beauty in our concrete jungle (“Wildflowers growing in our carparks”), yet maintains a certain futility in our attempts at wrangling it. In All Around You, circular, unending struggles morph into raw, bright anthems, treading that very balance of hope and resignation. - WL Highlight: ‘Yearning’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 6 Kin Leonn mirror in the gleam</image:title>
      <image:caption>Ambient/progressive electronic From scoring award-winning films by Anthony Chen to co-creating yeule’s massive softscars, Kin Leonn’s had a big year. That cinematic streak seems to bleed into the ambient savant’s second record on KITCHEN LABEL, which adds doses of mystery into the contemplative spirit first established in his 2018 effort, Commune. While the piano continues as the composer’s starting point – with stark compositions (‘keepsake 01’) and lush, Sakamoto-esque moments (‘arc of love’) leading the way – they’re also openings to greater textural curiosities. On ‘dawn chorus’, delicate arpeggios lead to flourishing beatwork, while patient, pulsating builds lead cathartic swells (‘your spectrum’). Between organic and electronic textures, gossamer details shine through the sonic mist, flickeringly fragile (‘flowers… dripping’) at times with found sound approaches, and on others invoking bleary, Boards of Canada-esque hypnagogia (‘conscious and well’). Serene with an ethereal, narrative quality, Kin’s compositions on mirror in the gleam dance with hyperreal radiance, like daybreak’s rays catching the surfaces of a wintry pond, refusing to settle. - JXS Highlight: ‘your spectrum’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 5 Chok Kerong &amp; Vanessa Fernandez Spiral</image:title>
      <image:caption>Jazz pop Teaming up with the buttery croons of Vanessa Fernandez, the jazz bandleader and veteran known for his work across artists including Charlie Lim returns with a career highlight. An impeccably smooth record that gracefully shifts between playful twists and shining moments of improv brilliance, Spiral tucks a load of surprises behind its sleeves - while at turns seizing and sleek on its funk-tinged singles (‘Cry’, ‘Don’t You Walk Away’), the project’s most arresting moments come when Kerong pulls back from the obvious grooves, as his lush improvisations blend seamlessly with Vandetta’s dulcet tones (‘Meditation’) or dazzlingly duel with her breathtaking belting (‘Love Will Let Us Go’). Immaculately balancing virtuosic technicality with irresistible groove and soul, Spiral is a high-water mark for an artist with a career already established and illustrious. - JXS Highlight: ‘Cry’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 4 Blush Supercrush</image:title>
      <image:caption>Shoegaze While Blush’s self-titled introduction mostly swallowed itself in a tidal wave of volume, the gazepop quartet get the proportions right on their debut – and the result is pretty dazzling. Though the colossal walls of noise remain on some cuts (just get blown away by ‘Crush’s monolithic opening), Soffi Peters’ smoky melodies underpin the maelstrom on their debut full-length, gently underlining dreamy odes of yearning alongside stronger hooks and more defined sensibilities. No matter the mode – drowning in dreamy organ textures (‘Hide and Seek’), dark, menacing grunge-outs (‘Mandy’), dancey Madchester beats (‘February Again’), Drop Nineteens-esque nectar in octave-riffed indie pop gems (‘All I Wanna Do’, ‘I’ll Take Care of You’), nocturnal, almost Pumpkins-esque sentimentality (‘Floorplan’), or just kinda shredding (‘Supertruck’) – Blush paint bittersweet stories of love’s confusing whirlwind with pulverising strokes of distortion. Through the fuzz, Supercrush’s nine love songs shine starry-eyed and sincere, all with a depressive romantic streak as poignant as its fitting namesake. - JXS Highlight: ‘Mandy’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 3 Spider Enemy</image:title>
      <image:caption>Grindcore-pilled yeehaw A furiously heavy meeting of minds between experimental guitar wizard Daniel Seah and former Supersect (etc…) sticksmith Billy Chua, the experimental rock duo’s muscular debut brings the noise with a ton of technicality, blasting through equal parts searing post-hardcore jams and surreal inside jokes and pop culture references – Jay Chou lore, anyone? But behind the hilarity lies brilliantly shouted hooks and a crap ton of meaty grooves that’ll stick around for days, brutal enough to be recognised by Drive of Jehu reverents and dedicated grind disciples alike, and random left-turns bullshitty enough for great bursts of confused laughter. The question that’ll stick above all: if the jam sessions sound so sick, why did Karen never show? - JXS Highlights: ‘Strain (Will)’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 2 stickiness Warm Day Cold Year</image:title>
      <image:caption>Ambient pop While usually more dramatically fronting Radiohead-esque indie rockers Oddblood, the intimate solo project of singer-songwriter Su Ying takes refuge in tides of wintering, showcasing a texturally rich brand of synth-tinged, slowcore-adjacent songs equally comparable to Lurkgurl and Lomelda. On Warm Day Cold Year quiet gestures turn into tidal waves of emotion; at times coming as sparse forays (‘I’m Working On It’) and stripped-down acoustic sketches (‘Warm Day’), while on others come tinged with mournful strings (‘Here Goes Nothing’) or quirked out with voice manipulations (‘One Step I Don’t Mind’). But the project’s introspective spirit, confessional in their lo-fi modes speak to a relatable emotion that return again and again, unbounded by season or time. Over the ghostly, unfolding chemtrails of centerpiece ‘Always At a Party’, stickiness invokes wintering’s necessity in a cold world – in the face of defeat and depressive flaws, it’s OK to accept the difficulty of moving. Trying quietly’s alright, even if no one sees. - JXS Highlight: ‘Always At a Party’</image:caption>
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      <image:title>23 for 2023: The Best Singaporean Music of 2023 - 1 Mary Sue &amp; Psychedelic Ensemble. CACOPHONOUS DIGRESSIONS, A RECORD OF MOMENT IN TIME Hip-hop</image:title>
      <image:caption>Since his emergence in 2020, Mary Sue has never stopped pushing forward – or in his words, to the point of needing “some new tonsils”. The hard work’s paid off: with his distinct deep-voiced delivery and hypnotic production style powering an ever-growing catalogue, the MC’s productive spirit has won him support from growing corners of community, whether be the Clementi sound or online on the Cloud – and its through that sense of community that the producer-rapper’s found ways through grief, death and many more battles. While this downcast introspection remains, Sue’s more confident than ever before in tackling them. In a productive year full of collaborations, his highlight tag-team with London-based beat magician Psychedelic Ensemble. finds him latching onto an array of dizzying soundscapes to deliver bars deadset on fighting inertia on every turn. From reminiscing on burned bridges (‘Bob The Builder…’) to battling against depression and past demons (‘I'm Playing Tetris with My Emotions’), he reminds himself to move forward: Musically, he fights this battle of soul-searching with a dizzying array of beatscapes: bolstered by live contributions from keyboardist Daniel Alex Chia and guitarist Kenzo Nagari, he takes on everything from tasteful boom-bap (‘Wowzers’) and glitched-out loops (‘The Plight of Augustus Gloop’, ‘Stop Playing!’) to droned-out melodies on blown out guitars (‘Gremlins’). Concluding a cinematic journey, Sue eventually finds peace on scratch-filled standout ‘Dream Pop on Steroids’, confessing: “continual fatigue making home improvements / digesting all the grief then i swallow down a new on / by now it's just tradition / i don't take it as a competition / just a group of human beings sharing truths and inspirations / spoken meditations.” For an MC that has proven himself to be one of Singapore’s most consistently prolific, Cacophonous Digressions stands beyond just a diaristic collection, but rather documents a creative spirit operating on all cylinders – with powers of community now inseperable from independent creativity. On this effort, Sue’s consistently brilliant streak continues: “healing through the longitudes and latitudes”. - JXS Highlight: ‘Dream Pop on Steroids’</image:caption>
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      <image:title>Shows - Naybeats - CHINA JAM REUNION / THE INTIMATE FRIENDS / THE CB DOGS / SENSORIAL / GOUCH</image:title>
      <image:caption>— 03 August 2019, hosted at Lithe House $10 at the door</image:caption>
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      <image:title>Shows - Naybeats</image:title>
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    <lastmod>2022-12-01</lastmod>
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      <image:title>Shows - Shiny Festival 2019 - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Shows - Shiny Festival 2019 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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    <lastmod>2022-12-04</lastmod>
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      <image:caption>Stiletto Band</image:caption>
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    <lastmod>2024-01-12</lastmod>
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